Sunday, 21 August 2022

Episode 33: Hidden Danger


Synopsis:
Susan announces that if she does not accompany the Sensorites to their planet, everyone will be killed...
She exits the bridge and the door closes behind her, but Ian opens it and halts them. The Doctor orders his grand-daughter back onto the bridge then confronts the Sensorites. When they threaten him, he tells them that he knows their weaknesses. To prove this he has Ian turn the lights off, and the aliens panic in the darkness. He switches the lights back on again, and advises that they seek new orders.
Their leader - the First Elder - instructs that Maitland and Barbara should remain on the spaceship whilst everyone else comes to the Sense-Sphere for talks. They will try to cure John.
On the planet they learn that the Sensorites are antagonistic towards the spaceship crew because of an incident 10 years previously. Another ship had arrived from Earth and its crew had discovered the molybdenum deposits. They had fallen out with each other over what to do with this discovery, and the ship had exploded when it attempted to take off. The Sensorites assumed that all the astronauts had been killed after arguing with each other.
Since that time a strange plague has been killing many of their people.
The Second Elder is initially suspicious of the newcomers, whilst the City Administrator is vehemently opposed to them. He has the city's defence weapon home in on them - a hidden disintegrator device which can kill remotely when programmed to strike a particular location. It is controlled by one of his allies from a small chamber beneath the Elders' palace courtyard.
The Second Elder realises the visitors are friendly and so goes to the disintegrator room and notifies the Administrator to stand down, confiscating the vital firing pin. He lets it be known that he is concerned about the Administrator's failure to obey his superiors. The Administrator determines to destroy the visitors some other way...
Refreshments are given to the Doctor, Ian and Susan, whilst Carol accompanies John to the laboratory where scientists will help him.
The First Elder notices that his guests have been given inferior water, and orders replacement from his personal crystal spring. Thirsty, Ian cannot wait and takes a drink.
He is suddenly taken violently ill and collapses onto the floor.
The Doctor asks if Ian's symptoms match those of the plague, and the First Elder confirms that they are. He is dying, and nothing can save him...
Next episode: A Race Against Death

Data:
Written by: Peter R Newman
Recorded: Friday 12th June 1964 - Lime Grove Studio D
First broadcast: 5:15pm, Saturday 11th July 1964
Ratings: 7.4 million / AI 56
Designer: Raymond P Cusick
Director: Mervyn Pinfield
Additional cast: Eric Francis (First Elder), Bartlett Mullins (Second Elder), Peter Glaze (City Administrator), Arthur Newall (Fourth Sensorite), Gerry Martin & Anthony Rogers (Sensorites).


Critique:
This episode saw the series move back to Lime Grove Studio D. A limited part of the spaceship set (part of the bridge and a corridor) was transferred there, but only appeared in the first half of the episode. The main new sets were the Elders' reception hall, plus the small disintegrator room and a section of courtyard.
The latter featured a working fountain, and had a backdrop of the wider city. The inclusion of the fountain was because it was supposed to form part of the poisoned water plot, but this was dropped. Ray Cusick opted to make the Sense-Sphere a place of arches and domes, with as few straight lines and box shapes as possible. He stated in interviews that he had been inspired by the Catalan architect Antoni Gaudi, whose most famous work was for the Basilica i Temple Expiatori de la Sagrada Familia in Barcelona - a building which is still incomplete.
The heat in the Lime Grove studios was great at the best of times, but recording was now taking place in the summer months. All of the Sensorite performers rehearsed without their masks - donning them only for recording.

(l -r) Peter Glaze, Bartlett Mullins and Eric Francis

We learn something of the Sensorite culture. The First Elder wears a pair of black sashes crisscrossing his chest, whilst his deputy - the Second Elder - wears a single sash. It appears to be a Geniocracy - rule by the intelligent - as the First Elder is said to have been made leader due to his "great brain".
The City Administrator has a black band around his collar. Scientists wear a symbol on their chest which looks like a cross between an alembic (chemical container) and a caduceus (the serpent symbol associated with medicine).
The First Elder explains that the majority of his people have no specific caste like Warrior or Scientist but all are equal. It is quite clear from the casting that Sensorites are not physically identical.
The First Elder will maintain that he trusts his people implicitly, and they are all happy with their lot, so it seems odd that their city - including his own palace - is covered by a death ray weapon.

The City Administrator emerges as a new threat for the TARDIS and the spaceship crews. He is fiercely loyal to his people, though not necessarily to their leadership, as he deliberately ignores their instructions. He is quite prepared to kill the visitors in front of his ruler, simply because he does not trust them. The Sensorites have been suffering ever since humans visited them 10 years ago, and so he is implacably opposed to their kind. His hatred goes so far that he has no thought of the consequences to himself were he to have used the disintegrator on the Doctor and friends - killing them as they chatted to the First Elder.
Though he would argue there were very definite concrete reasons for distrusting people from Earth, his real motive is that he is suffering from xenophobia - a fear of the unknown often characterised by hatred towards foreigners / strangers. In this he's not the first person to exhibit such paranoia in the series. Ian believed it was at the root of the Daleks' murderous hatred of the Thals - a "dislike for the unlike".

As well as a villainous character being introduced we also have a new threat against the travellers, in the form of a deadly disease. The Sensorites being potentially belligerent aliens formed the threat for the first two episodes, but now that we know that they are - for the most part - friendly, then new dangers have to be introduced to maintain interest. 
The series will find many interesting ways of sustaining the adventure over lengthy running times. So far we have had the false ending in the first two stories - the TARDIS crew thinking they have reached the safety of the ship, only to discover that it is not to be (because there are armed cavemen in the way, or because a vital component has been left behind). The Daleks also featured a brief quest set-up halfway through the latter part of the story to spice things up a bit. The quest scenario also benefitted both Marco Polo and The Keys of Marinus, as the action could move from place to place each week, throwing up new dangers at each stop. The Aztecs, on the other hand, kept the same threat throughout - the machinations of Tlotoxl and Ixta - but simply escalated it to maintain interest.

Trivia:
  • It had been suspected that this episode might be delayed due to the summer programme of sport, although the week before broadcast it had still been hoped that it would go out at 7:10pm after another extended edition of Grandstand. As it was, that slot was given to Juke Box Jury and Hidden Danger was deferred for one week.
  • One benefit of this was that the series regained the four week gap between production and broadcast which had been reduced to three weeks when The Dead Planet had to be remounted.
  • The episode sees an increase of half a million on the previous one, but it also has the lowest audience appreciation figure of the entire story.
  • After recording this episode it was Jacqueline Hill's turn to get a two week holiday. Barbara is to remain aboard the spaceship with Captain Maitland whilst the others are transported down to the Sense-Sphere. As with Hartnell during the making of The Keys of Marinus, she will simply be written out of the action for two episodes.
  • Peter Glaze was best known for comic roles. He was one of the stars of Crackerjack, the BBC children's variety show which had been running since September 1955. Not long before appearing in the series, Glaze had performed a Doctor Who joke on the series: "Who's in the cupboard?". "Well, it's not Doctor Who, is it?". When it comes to comedy, the past is indeed another country.
  • Arthur Newall's "Fourth Sensorite" was the City Administrator's villainous accomplice, sometimes referred to as the Engineer.
  • Gerry Martin was a non-speaking Scientist. Joe Greig and Ken Tyllsen continued to play speaking Sensorites such as the Chief Scientist.
  • It was during rehearsals for this episode that actor Brian Proudfoot was brought in to observe William Hartnell's physical mannerisms as the Doctor. He would be playing him in some brief location shots for the next story in production. Hartnell initially found this process extremely irritating, but then became more helpful as he wanted Proudfoot to get it right.

On This Day... 21st August


Pater Capaldi could be seen twice on BBC 1 today in 2014. On that day's edition of Blue Peter he could be seen greeting the latest DW / BP competition winners on the set of his first story as the Doctor. They had been tasked with designing sonic instruments to be used by the Paternoster Gang in Deep Breath.
Later that evening he was appearing on The One Show. He had a copy of the Target novel Doctor Who and the Zarbi with him.

Saturday, 20 August 2022

On This Day... 20th August

 
After such a quiet day yesterday, birthdays abound today - starting with the Seventh Doctor and Ace.
Sylvester McCoy turns 79, and Sophie Aldred is 60.
Their co-star in Survival, Anthony Ainley, would have been 90 today. He died in 2004, aged 71.
They all share their birthday with:
Andrew Garfield (Daleks in Manhattan / Evolution of the Daleks, as well as a cinematic Spiderman) is 39;
David Walliams (The God Complex) is 51;
Dalek operator Barnaby Edwards is 53;
Matthew Chambers (Korwen in 42) is 54;
James Marsters (Torchwood's Captain John and Spike from Buffy / Angel) is 60;
and John Davies, director of The Macra Terror, is 88 today.

Today would also have seen the birthdays of Andre Morell (Marshal Tavannes in The Massacre, and my favourite Quatermass) - died 1978, aged 69; 
Bernard Archard (Power of the Daleks and Pyramids of Mars) - died 2008, aged 91; 
and Michael Godfrey (Captain Pike in The Smugglers) - died 1977, aged 59.

Friday, 19 August 2022

Inspirations: Army of Ghosts / Doomsday

 
Russell T Davies always intended that the main focus of Series 1 would be the Daleks - assuming that Terry Nation's estate would play ball. If the programme went to a second series then it would be time for the return of the second most popular foes - the Cybermen.
The 2005 series finale had seen the conclusion of the Bad Wolf story arc, revealing what it meant. It also featured an epic battle with massed ranks of Daleks, including a fleet of saucers and hundreds of Daleks sweeping through space.
The 2006 finale had to not only match this, but surpass it. Keen to have the Daleks make an appearance each year, the obvious thing was for there to be story where the two great enemies finally met each other.
This was not a new idea. Not only would generations of children - and fan-fiction writers - have imagined such a thing, but the production team of 1968 (i.e. Peter Bryant, Derrick Sherwin and Terrance Dicks) actually tried to make it happen.

There was a five year gap between The Evil of the Daleks and Day of the Daleks, and everyone tends to assume that this was the length of time Terry Nation withheld his creations from the programme, due to his plans to launch them in their own series (first in the UK and, when that didn't pan out, in the States).
The fact is that Nation was already amenable to the Daleks making a comeback exactly one year after their last monochrome outing. He considered allowing them to be used in the final story of Season 5, so long as he didn't have to write it, but then stipulated that they could not appear in the same story as the Cybermen. The reason is probably the same as for not wanting K9 to feature in Destiny of the Daleks - Nation did not want anything diminishing his creations and making them look weak.
The hoped-for inclusion of the Daleks might well be why it was David Whitaker who was asked to work on Kit Pedler's ideas for The Wheel in Space. It is hard to see why he would have been brought onto a standard issue Cyberman project otherwise.
If you are wondering why the Daleks weren't retained and Cybermen dropped from Wheel, then it's because the BBC didn't have to pay extra for use of Cybermen. 
This is another reason why it took five years for them to return - Daleks were more expensive.

Daleks and Cybermen would come close to meeting on one other occasion. The first version of Frontier in Space had the Master allied with Cybermen instead of Ogrons. Apart from raiding spaceships they would not have fulfilled the same role as the Ogrons later did, so the Dalek and Cybermen would not have overlapped in the final episode in the same way.
The only glimpse of a Cyberman in the 2005 series also just happens to be in the episode which reintroduces the Daleks.

Army of Ghosts and Doomsday were therefore designed to bring the top two monsters together, thus raising the stakes for planet Earth. One would be bad enough, but how would we cope against two?
No doubt the Nation estate had a say in which side would win when the two finally squared up to each other.
These high stakes were necessary to give Rose a decent send-off. She couldn't simply leave after a fairly standard adventure, and she'd already coped with both Daleks and Cybermen individually.
As well as Rose's departure and a high stakes finale, the episodes also had to act as a sequel to the earlier Cyberman story - Rise of the Cybermen / The Age of Steel.
As part of Rose's departure it also had to bring some resolution to the story arcs of her mother and her ex-boyfriend, tying them in with the events on the parallel "Pete's World".
Having introduced the alt. Pete and killed off alt. Jackie; shown how our Pete had died in Father's Day; and shown Mickey's gran to be still alive in the parallel world, the various pawns were in place to link everyone up and send them all off to Pete's World to live happily ever after. 
Apart from Rose...
There had to be a reason for her to stop travelling with the Doctor, so she either had to be killed off, had her memory wiped, or become trapped in another dimension. RTD never considered killing her as it would be unfair to younger members of the audience. 
Companions may have died in the past (especially where Cybermen and Daleks were involved) but the new series was to be more optimistic. Children were to be able to imagine themselves becoming a companion one day, so it had to be an ultimately positive experience.

Another function of the story was to tie up the "Torchwood" arc. 
The name was an anagram of "doctor who", used to send production materials between London and Cardiff without anyone knowing what the contents were, and it was going to be used as the title for the new Captain Jack spin-off show starring John Barrowman. It got its first mention in one of the Weakest Link questions in Bad Wolf.
As early as the second episode of Series 2 - Tooth and Claw - its nature had been explained, so the mentions throughout the series were there just for a bit of fun, something for viewers to spot. There was nothing really to work out - not in the same way as the identity of "Bad Wolf" had been.
It was an organisation set up by Queen Victoria to defend Britain against aliens and, by extension, the Doctor. 
All Army of Ghosts did was show us what it looked like, and who was in charge of it. They were the means by which the Daleks and the Cybermen could come together in present day London.
The branch at Canary Wharf was Torchwood One, whilst Captain Jack's Cardiff branch was Torchwood Three, thus connecting the parent series with its spin-off beyond just the use of Barrowman.

Back in 1993 the BBC had brought us a Doctor Who / EastEnders crossover for Children in Need. This was Dimensions in Time, co-written and produced by John Nathan Turner. A hoped for multi-Doctor adventure - "The Dark Dimension" - had fallen by the wayside due to budget and casting issues and this would be all fans would get for the 30th anniversary. As a piece for charity, it was agreed that it would never be repeated or merchandised in any way, and is generally regarded as sitting outside canon.
The Doctor had made references to EastEnders as being a soap opera in his universe (such as comments about the Christmas episode disasters in The Impossible Planet). Army of Ghosts confirmed its fictional status, when the Doctor and Rose witnessed Barbara Windsor's character dealing with the ghost of Den Watts on TV.
Doctor Who would continue to feature celebrity cameos like Windsor's in its remaining RTD finales. This time we also get "psychic" Derek Acorah (Most Haunted), TV presenter Alistair Appleton (Cash in the Attic), and talk show host Trisha Goddard (Trisha).

Some specific Cyberman influences include the DWM comic strip "The Flood" - the final McGann one prior to Rose. In this the Cybermen infiltrate London and other parts of the globe from another dimension, appearing as ghostly forms initially. They are exposed by a top secret alien hunting organisation, based at a London tourist destination for cover.
The Big Finish audio Spare Parts, which had lent a small amount to the earlier Cyberman origins story, featured a character named Yvonne Hartley, which is very close to the Torchwood CEO's name.
Torchwood itself is reminiscent of other alien-hunting outfits, such as in Mulder and Scully's X-Files, Buffy's The Initiative, The Men in Black, and Doctor's Who's very own UNIT.
The creation of Torchwood as far back as the Victorian era has thrown up all manner of continuity headaches - not least why they failed to act against the Doctor during all the years he was exiled to Earth, or on any of the many, many visits he's made to the UK since its founding.

There are some parallels with Phillip Pullman's His Dark Materials, in that the final book of the trilogy (The Amber Spyglass) features an army of beings coming from another dimension, and one character uses the titular spyglass to see what others can't, just like the Doctor and his 3-D spectacles. The books feature an alternative universe England, similar to Pete's World.
Rose's bald statement to the audience that she is dead reminds us of The Lovely Bones, Alice Sebold's 2002 novel which is told from the perspective of a dead girl.

The episode ends with a throw-forward to the second Christmas Special. Many felt this ruined the sombre mood of the episode, but RTD wanted to show that, even when companions leave, the series carries on and the Doctor is already facing his next adventure...

On This Day... 19th August

 
A very quiet day today - just two birthdays of note. The first is that of actor Calum Blue, who played Lord Marchwood in SJA: The Eternity Trap. He's 45.
Than we have a writer from the Australian K9 series - Shane (S.P.) Krause wrote the opening instalment Regeneration and four subsequent episodes. He turns 53.

Thursday, 18 August 2022

On This Day... 18th August

 
The Middle Men, the latest instalment of Torchwood: Miracle Day in 2011 gave us some background to the Miracle and the people behind it. The action was split between the US and Wales, and the highlight was undoubtedly the explosive rescue by Gwen and Rhys of her father.


Amongst today's birthdays we have that of Joseph Marcell, who turns 74. He played cafe worker John in Remembrance of the Daleks, but will be best known for his role as English butler Geoffrey in The Fresh Prince of Bel-Air.
He shares his birthday with Roy Boyd, who played Driscoll in The Hand of Fear, who is 84; and John Debney, who composed the music for the 1996 Paul McGann movie. He is 66.
Rob Cavazos, who played Walter in A Town Called Mercy, is 40.

We also remember a few guest artists of the classic era who died on this date: 
Michael Napier-Brown (Arturo Villar in The War Games) - 2016 aged 79,
James Maxwell (Jackson in Underworld) - in 1995 aged 66,
Tom Watson (Ramo in The Underwater Menace) - in 2001 aged 69,
Reg Lever (Joker in The Celestial Toymaker) - in 1985 aged 81,
And Barbara Leake (Mrs Farrell in Terror of the Autons) - in 1991, aged 88.

Wednesday, 17 August 2022

Season 2 Extras

 

We have a bit more information now about the forthcoming Season 2 Blu-ray box set. I mentioned a couple of the Extras yesterday - such as the two interviews and the new documentary - but added to this we have more detail and some other items.
The documentary is specifically about the making of this season, and features Richard Martin among the participants. This was very much his season too, as he directed three six-part stories for it.
Another new item is Toby Hadoke doing another "Looking for..." piece - this time concerning David Whitaker, the series' first ever story editor. He had handed over the role to Dennis Spooner by this time, but had commissioned some of the stories and is the writer of both The Rescue and The Crusade.

We have no Doctors on any of the "Behind the Sofa" panels. Bonnie Langford joins Sophie Aldred as one panel, with Janet Fielding, Sarah Sutton and Wendy Padbury as another. The most relevant panel is Peter Purves, Carole Ann Ford and Maureen O'Brien. A pity William Russell couldn't have participated.
The item on merchandising is presented by Emily Cook, late of DWM, and will no doubt mostly involve Dalek items.
There will also be some archive convention footage involving three Hartnell companions - Jacqueline Hill, Adrienne Hill and Michael Craze. I would have thought that the latter two would have been better kept for Season 3 or 4 box sets - unless it is some panel involving all three together.

The soundtrack for The Dalek Invasion of Earth has been "enhanced" in some way (pity they couldn't have given us improved CGI to provide a better climax. The small amount of new CGI from the DVD release is included).
The Lion episode has a new commentary track about its rediscovery back in 1999.
NB: The BFI have said that they will be holding a launch event just before it is released, showing one of the stories in the set (still to be announced). This might be our best way of finding out the true release date first - by keeping an eye on the NFT programme.

If you haven't seen the video which was released to advertise the set, you really ought to catch up as soon as possible. Once again written by Pete McTighe, "The Storyteller" features an elderly Vicki reminiscing with her grand-daughter about her TARDIS travels. It opens with some lovely CGI animation of the wrecked spaceship on Dido.
The choice of clips and the soundtrack make for a rather moving piece. Vicki's ending on the series was a huge disappointment at the time, so this provides a lovely coda.