When you've only got four stories to produce in a season, you would think that the producer and script editor could at least make them different...
The first thing that strikes you about Silver Nemesis is its similarity to the season 25 opener, Remembrance of the Daleks.
Once again we have the Doctor revisiting something he did a long time ago - though we never got to see it - which is going to have an impact on the present. It's the Earth which will be affected once again. The threat revolves around some ancient Gallifreyan device which can be used as a super-weapon, which the Doctor was somehow able to take away with him when he left the planet with Susan.
The Doctor basically tricks the villains into using said device, so that it destroys them instead.
By screening the Dalek story first, this looks like a weak imitation.
Remembrance of the Daleks featured the junkyard at 76 Totters Lane and Coal Hill School and other references to An Unearthly Child - yet Silver Nemesis is supposed to be the anniversary story?
There's cameo appearances by a number of people associated with the show - actors, writers and directors, including Nicholas Courtney - but they all appear in group shots with their backs to us, so what was the point? If you hadn't read about this somewhere, you'd never know they were there - just a bunch of extras.
The story really isn't very good, and certainly isn't well regarded - so why give it to someone who had never written for the show before and was relatively new to the business anyway?
As for the plot, we're told that the Doctor sent the Nemesis statue into space to stop it falling into the hands of Lady Peinforte in 1638 - though she clearly must have possessed it at some point for her to have fashioned the living metal into a likeness of herself. Did the Doctor deliberately put it into an orbit which meant it passed the Earth every quarter century?
As each orbit results in some major upheaval on Earth, then isn't the Doctor responsible for centuries of death and destruction? If launching it into space was just to get it out of Peinforte's hands, then why not simply move it somewhere else afterwards - like parking it on the dark side of the Moon or in orbit around Pluto? Why leave it going round the Earth for 350 years?
And why have it land in 1988? It can't have been in a decaying orbit as its passing was too regular. It must have been programmed to come back in November 1988 - but the question is why.
How could the Doctor have known that Lady Peinforte would be able to time travel to her home in that year, or that the Cybermen were going to turn up looking for the statue? Or that a bunch of mercenaries led by an old Nazi war criminal would come looking for it. Is it all just coincidence? A very big one if it is.
If it's been going round and round for 350 years, why did the Cybermen not simply hijack it in space?
And one everyone knows - the mathematician employed by Lady Peinforte couldn't possibly have known that the calendar was going to be amended, losing 11 days on the adoption of the Gregorian calendar by Great Britain in 1752. His calculations ought to be out.
Do we know if major upheavals actually occurred every 25 years between 1663 - its first pass - and 1963 - it's last pass? JFK was assassinated in '63, but the world was much closer to disaster two years before that with the Cuban Missile Crisis.
If the statue only reaches critical mass when complete, you also have to ask why the Doctor didn't do anything sooner about the bow and the arrow.
There's mention of Roundheads being about when the Doctor first launched the statue into space, and it's the Doctor who says this early in Episode 2. But the Roundheads weren't founded until 1641. (It refers to their haircuts, not their helmets, and was initially a term of abuse).
When the Doctor first visits Lady Peinforte's home with Ace he states that it has been months since he was last there - so it has to already be 1639. But all the dialogue, and even captions, state it's 1638.
Another timing issue is the speed with which De Flores and his mercenaries manage to get from South America to Windsor - managing it in a matter of hours when they've only just worked out the date and location of the landing.
And did they book into their hotel and hire the van dressed like that?
It's looking unseasonably warm for late November in England, and an awful lot seems to happen in broad daylight, which would only be about 8 hours maximum at that time of year.
As for the Cybermen - they are at their weakest here (until their heads start exploding due to the power of Love). Their spaceship manages to land and move around without the military swarming the area - considering they're next door to Heathrow Airport and Windsor Castle, and the Queen in is residence.
(Talking of which, the Doctor and Ace manage to get extremely close to the monarch before security bother doing anything about it).
The Cybermen are actually scared just to be in the vicinity of gold now, and are easily despatched by gold coins fired from a catapult - despite having armoured bodies.
Why do the Cybermen bother capturing De Flores and Karl - why not just shoot them? De Flores is given the earmuff-like devices, presumably to mentally condition him, yet they don't appear to have any effect on him.
The silvered coating on the new helmets of the Cybermen oxidised and turned a golden colour, rather defeating the whole "silver" theme of the story.
The Cybermen falling from the gantry are all too obviously dummies.
Another big problem for me is that there are far too many incidental characters in what is only a three part story - and yet it still feels padded. The skinheads are utterly pointless and add nothing to the story, as does Dorothea Remington. Dolores Gray was only cast in this so that JNT could have a big Broadway / West End star in the show for publicity value - even though she wasn't terribly well known to the general public. The peak of her career was in the 1950's. Her scenes with Lady Peinforte are at least funny.