Showing posts with label miscellaneous. Show all posts
Showing posts with label miscellaneous. Show all posts

Saturday, 22 August 2026

Blake's 7 Season 3


In the absence of any news on the next Doctor Who - The Collection box-set, we can at least look forward to Season 3 of Blake's 7 coming this Autumn. This is the first one following the departure of the title character, so Paul Darrow's Avon really comes to the fore.
As with the previous seasons, there's plenty of Doctor Who crossover in terms of guest stars and even the odd prop and costume.
Each episode comes with brand new VFX. There were a few very good model shots in the broadcast episodes, but generally I was always disappointed in the standard of effects in the series (like the Federation Pursuit Ships and even the Liberator itself looking like cardboard cut-outs).
There are usually a lot of excellent extras.
No confirmed release date yet - Season 2 came out in November last year. It has been on pre-order on the usual sites since March, RRP in the UK £39.99.

As for the next Doctor Who box-set, well that was expected late October, going by previous years - but the Autumn release was usually advertised before now. 
All but one of the outstanding seasons has major technical issues to resolve or missing episodes which have yet to be animated (and the stand-alone animations have pretty much dried up it seems). 
It may well be the case that we are only going to get one release a year going forward. The one season which is relatively "good to go" is the one most people do think will be next - Season 16, the Key to Time. 
Whichever one comes next, I just hope that they lay off the AI picture "enhancements", which have been universally criticised...

Thursday, 29 January 2026

Glasgow Riverside Museum


There are a few Doctor Who items on display at Glasgow's Riverside Museum at the moment. Just the four, as part of a larger sci-fi theme spread around the museum (Imperial Stormtroopers, Ewoks and an AT-ST from Star Wars, some Gremlins, ET and the DeLorean car from Back to the Future).
Hopefully a few more items will be added later. Certainly room for a Cyberman.


The TARDIS, Davros and K-9 are all replicas, but the Dalek is the one which appeared in the Destination: Skaro short in 2023, as a notice states. The Davros looks very much like the one which had been on display at Peterborough for most of last year.


If you've never been to the museum and find yourself in the city for an hour or two, best to get off the subway at Govan and walk over the footbridge. It's primarily Glasgow's transport museum but has a lot of general social history stuff as well, and there's a tall ship moored outside you can also visit.
And remember, there are a few genuine Police Public Call Boxes dotted around the city as well.

Saturday, 6 December 2025

Blake's 7 Series 2 - The Collection


The second season of Terry Nation's sci-fi series is now available on Blu-ray, and once again it will be of great interest to Doctor Who fans of the 1970's / 80's. 
For starters we have a host of Doctor Who guest actors making appearances across the entire season. Bruce Purchase plays an alien monarch and gives almost exactly the same performance as he gave as the Captain of Zanak, for instance, and you get to see William Squire without his Shadow mask.
Other guests include Gareth Armstrong (The Masque of Mandragora), Paul Shelley (Four to Doomsday), John Abineri (Ambassadors of Death and others), Sheila Ruskin (Keeper of Traken), John Bennett (Invasion of the Dinosaurs / Talons of Weng-Chiang) and many, many more.
The episode Gambit alone features John (K-9) Leeson, Aubrey Woods (Day of the Daleks), Paul Grist (Claws of Axos), Denis Carey (Shada / Keeper of Traken / Timelash), Sylvia Coleridge (Seeds of Doom) and Deep Roy (Mr Sin) - and it's written by Robert Holmes.
Director Morris Barry, responsible for the best two Cyberman stories ever, even pops up as a medic in the episode Killer.
Of course, this series was the one which almost had the Daleks feature as the invading aliens in the final episode, Star One, but on hearing of this plan Graham Williams decided to get them back into Doctor Who and we got Destiny of the Daleks.

As with Series 1, every episode can be enjoyed with new VFX and these are to be recommended as I was always disappointed with many of the original shots - such as an overuse of flat cut-outs, for instance.
As with the Doctor Who Collection box sets, we have a plethora of extras to enjoy, made by the same teams.
Both of the Matthew Sweet interviews have Doctor Who connections. The first is with Brian Croucher who took on the role of Travis for the second season, and who had appeared in Robots of Death.
The second interview is with designer Roger Murray-Leach, who speaks just as much about his work on Doctor Who as on Blake's 7.
There are two new biographical pieces on actors who are no longer with us. This is the series in which Gan dies, and so we have a lovely documentary about David Jackson who played him. This is hosted by Toby Hadoke, who interviews his son and widow as they look through his theatrical scrapbooks. The vast majority of Jackson's work was on stage and is therefore ephemeral, so it was nice to learn more about him.
The other biography is of Supreme Commander Servalan herself, Jacqueline Pearce. She played Chessene in The Two Doctors, and Colin Baker and Nicola Bryant are amongst the contributors to this. It was a fascinating, eccentric life she lead, as you'll quickly find out.

Mat Irvine appears in a couple of featurettes on model work, and we also get some archive convention footage.
There are two wider-ranging documentaries - part two of an older one, and the second part of the new one filmed for these box sets, which looks specifically at this second year. There is a certain amount of overlap as the new doc uses excerpts from the older one, but that older one is still welcome as it includes contributions from a number of people no longer with us. The first parts of both documentaries appear on the Series 1 set.
Definitely recommended in its own right, and as a companion piece to classic Doctor Who.

Thursday, 16 October 2025

Polystyle Doctor Who Holiday Special 1973


It's a while since I brought you some images from a long-extinct magazine which featured Doctor Who, so here's a little look at some of the features which appeared in Polystyle's Doctor Who Holiday Special, dating back to 1973, which could have been yours for the princely sum of 10 new pence.
Polystyle were the publishers of TV Action, which ran a weekly Doctor Who strip. A previous general Holiday Special had featured a location photo-feature on the making of The Daemons. This new Special was put together around the making of Frontier in Space.
The majority of pages were filled with comic strips and text stories featuring the Third Doctor, as well as the usual cartoons and general knowledge items which used to help pad out the old World Distributors annuals. Attached here are the photo features, which included a number of portrait images of the key on-screen personnel of the time:


There is also a brief overview of the series to date for newer fans:


As with the earlier feature on The Daemons, there is a behind the scenes photo spread on what would have been the story in production when it was edited, Season 10's Frontier In Space:


The photographs clearly come from the final episode as they feature the Daleks. We also see Pat Gorman getting ready to play a Sea Devil in the Jo / Master hypnosis scene which opens Episode 6.
Other features include a piece on the Daleks...


And a photo gallery of monsters...


In the days before Doctor Who Weekly / Monthly / Magazine, such features were a rarity for fans. Unless you had managed to hold onto old copies of Radio Times (whose picture quality varied greatly) where else could you obtain photos of Fish People, Macra or Monoids?
The rest of the features were more fun in nature - games and quizzes designed to keep the young reader occupied on their wet week in Blackpool or Skegness.
There's a board game...


A quiz...


And a "Spot the Difference"...


Not bad value for 10p. That would be just under £2 today. DWM would be charging at least £9.99 for something similar today.

Monday, 22 September 2025

Colony of Devils...


This popped up on an art related Facebook group - Francis Bacon holding court at what I assume to be the Colony Room, the private members drinking club in Dean Street, Soho. It opened in 1948 and ran until the death of its founder Muriel Belcher in 1979. Posting it here because of the tall figure in the light blue shirt, back left...

Friday, 8 August 2025

Blake's 7 Season 2 in November


The second season of the series with more Doctor Who connections than you can shake a stick at is finally being released on Blu-ray on 10th November in the UK. I pre-ordered mine back in March, so it's been a long wait just to get a release date.
Links to Doctor Who this time include an appreciation of the life of Jacqueline Pearce (The Two Doctors), which features contributions by Colin Baker and Nicola Bryant; Matthew Sweet on Terry Nation; interviews by him with Brian Croucher (Robots of Death) and designer Roger Murray-Leach, who worked on several of the classic Hinchcliffe-Holmes stories. There will be a lot of archive contributions from director David Maloney as well.
As with the Season 1 set, there's some nice CGI effects upgrades on view, which can be seen if you check out the new trailer on YouTube. (Not just CGI - there's quite a bit of proper model work courtesy of Mike Tucker).
As for Doctor Who's Season 13 box set, DWM has a preview in the next issue, and Terror of the Zygons is getting a screening at the BFI on 20th September, so its release should follow soon after that.

Tuesday, 15 April 2025

My next DWAS event...


Just booked my next DWAS event - a return to Riverside Studios at the end of May for an afternoon spent in the company of four of the 1960's companions, as you can see from the poster.
I'm very glad I didn't hang about as the event sold out within four hours of tickets going on sale. These events usually take a few weeks to sell out, so I suspect the calibre of the guest list has made all the difference.
The four episodes being shown alongside the Q&A panels are The Daleks (3), Galaxy 4 (3), The Faceless Ones (1) and The Dominators (2).

Wednesday, 6 November 2024

Reading material...


Over the last few years, I've noticed that I have been reading less and less of Doctor Who Magazine each month. The last issue I think I only read about a quarter of. The reasons are several. I have less interest in behind the scenes material on new episodes, as you get to see the interesting stuff in the BTS programme which follows each broadcast. Interviews tend to be rather hollow puff-pieces, and previews are obviously never going to tell you anything interesting. I don't do Big Finish, so ignore the Review section as it's almost entirely BF product. And there have been far too many of what I call "peripheral" articles on the series - mainly elements of fandom which I really can't get excited about (cosplaying etc).
It's got to the point that I'm contemplating scrapping the subscription and just buying the Special Editions / bookazines on a case by case basis - as these are the only things which spend any significant time looking at the classic iteration of the series.
Luckily, the latest issue of DWM - in shops tomorrow - is one of the better ones, that might take more than half an hour to read. It has a huge interview with Philip Hinchcliffe, filling a whole third of the magazine.


The issue also has a feature on Blake's 7 / Doctor Who links, as well as a piece on actor / writer John Kane, who played Tommy in Planet of the Spiders. Great cover as well, especially if you are a subscriber.


Already in the shops is the latest of the BBC "coffee-table" volumes - "The Gold Archive" - which usually appear at this time of the year, just in time for Christmas. It's all about UNIT, and is written by Mike Tucker and Steve Cole. I wasn't intending to purchase this as these are usually aimed more at the younger market, and tend to have a lousy design / layout. The preview images which appeared on Amazon had stupid graphics plastered all over the photographs, so I decided against it. However, I saw it in the shops today and had a browse, and those preview images were quite misleading. The graphics are absent, and it has a large number of unpublished images, many from the classic era. Even where I've seen the picture before, we have nice big full-page versions here. 




Interestingly, aliens which UNIT never encountered - and stories in which the organisation never appeared - are featured. A weighty tome - over 300 pages - it has an equally weighty price (£35).
Some of the text comes in the form of memos / letters, which is very old hat, but there is also conventional text as well, though I think you'll be buying it more for the images.

Finally, due out on November 21st from Panini, is another bookazine. It seems like only a couple of months ago that they released the last one ("Into The Vortex") - and then you remember that it was only a couple of months ago that they released the last one. That has only just started appearing in shops, so if you want the new "Daleks: The Ultimate Guide" I'd order it on-line, or be prepared to wait until 2025 for it to get into the shops...

Friday, 1 November 2024

Season 25 - The Collection


Before we get on to the content of the discs, a word about the booklet which accompanies this set. I'm afraid that the proof reader must have been on their holiday this time as there are a number of silly errors evident in the text. Lesley Dunlop did not play a character named Norma in Frontios. Fiona Walker did not play a character named Karla in The Keys of Marinus. And Richard Maynarde in Silver Nemesis was most definitely not played by Gerald Taylor.

Anywho, on to the content. All four stories of Season 25 get the Special Edition treatment and, as I've looked at the stories as broadcast elsewhere on this blog, I'll be concentrating on them - plus the numerous new Extras (existing Extras such as the big Davros documentary and the original making-of's are ported over from the DVD releases). Not quite so many of them this time, compared to the 20th Anniversary season, but this reflects the somewhat diminished status of the series in 1988 as compared to 1983.

Remembrance of the Daleks has three versions to chose from - the original, the original with new CGI, or the 2024 Special Edition.
The SE has a few short scenes added - mainly character pieces between members of the Counter Measures Intrusion Group, some of which help sow the seeds of Mike's racism. One nice addition is the change of music playing on the jukebox when Ace first enters the café and meets Mike. It's now "John Smith and the Common Men", as listened to by Susan in An Unearthly Child.
The "I.M. Forman" sign on the gate has been amended to read "Foreman". Sometimes. The "E" comes and goes as the gates are opened and closed.
The main new CGI elements involve the Mothership and Shuttle, as well as Dalek ray effects. A pity they couldn't have painted out those clearly anachronistic buildings which keep appearing in the background of many street scenes.
The Dalek Supreme now melts, rather than disappears in a rainbow swirl.

The Happiness Patrol has the same three options, but this time the Special Edition has seen a major overhaul. There's around 15 minutes of extra material across the three episodes - roughly 5 minutes apiece. Some totally new scenes have been created as well as the inclusion of previously deleted ones, and they have re-edited some sequences. The big visual difference is the CGI expansion to many of the Terra Alpha street scenes, showing them in the context of the larger cityscape.
We see the Kandyman actually being swamped by the hot sugar solution in the pipeline, and the dialogue of the Pipe People has been taken back to the original studio audio so that it is slightly more intelligible. 

Silver Nemesis actually has five different versions on offer. There's the broadcast one, the broadcast one with new CGI, the 1993 VHS version (with a few deleted scenes reinstated), the 2024 Special Edition, and a 55 minute omnibus of the 2024 Special Edition.
Truth be told, I'd go with the omnibus as it cuts out a lot of the pointless stuff from the original episodes (like skinheads and rich Americans). The new CGI effects are mainly the Cyberman fleet in space, and some of their shuttle craft scenes. Nemesis' return to the rocket sled in the third episode has been redone. The Special Edition not only has new effects, it has also been re-edited and restructured to make it flow a little more smoothly. They haven't stuck all of the deleted scenes into it. One scene I always liked as it provides a character moment for De Flores is the one where he talks to his mercenaries in the van. This has been excluded from the SE but is there as an extra. 
Back in 1988, Mike Tucker had wanted to use Cybermats to overpower the policemen when the Nemesis first lands. This was vetoed by Andrew Cartmel, though we did get to see one of the new design on the anniversary documentary 30 Years in the TARDIS, menacing Colin Baker and Nicola Bryant near St Paul's.
They've finally got their scene in the SE.

Finally, The Greatest Show in the Galaxy also has the three options - as broadcast, as broadcast but with new CGI, and the 2024 Special Edition which once again includes previously deleted scenes as well as the new effects.
The main differences here are replacement video effects, though the first and third episodes have a few minutes of deleted material reinstated - which don't add much to the story at all.
Onto the extra material, and the first three stories of the season are given two discs apiece to allow for their Special Editions and extras, whilst the final story is confined to a single disc. Disc 8 covers more general McCoy extras, as opposed to story or season specific ones.
Most of the archive material appears alongside the Dalek and Cyberman stories, as one launched the anniversary season and the other was the actual anniversary story. A lot of this material comprises short appearances on various daytime television shows. Whilst a lot feature McCoy / Aldred, there's another which concentrates on interviews with Jon Pertwee and Verity Lambert, with clips from the very first episode in November 1963. Open Air presents a piece from the "Space Adventures" exhibition by London Bridge, where JNT is interviewed surrounded by monster costumes - nice to see this relatively obscure exhibition.
As always, we have a convention archive feature - two different appearances from McCoy and Aldred at DWAS Panopticon events in the 1990's.

"Behind the Sofa" this time features three panels. Interestingly, the Doctor / companion one sees a guest from each story. McCoy and Aldred are joined by Karen Gledhill (Alison) for Remembrance, Sheila Hancock (Helen A) for Happiness, Mark Hardy (Cyber-Lieutenant) for Nemesis, and Jessica Martin (Mags) for Greatest Show.
Panel Two is Bonnie Langford and Nicola Bryant, and the third comprises Janet Fielding, Sarah Sutton and Wendy Padbury.
McCoy doesn't really say much, so Aldred leads their panel, whilst the third panel isn't heard from too much (which I'm happy about as I've always disliked Fielding's negativity - even if it is sometimes only in jest). The Langford / Bryant panel is quite entertaining, with some interesting impartial insights.
Bonnie obviously relates well to the circus-themed story.
The Dalek story gets a thumbs up, whilst the Cyberman one fails to impress. The Kandyman lets down the second story, as do the sets - though they're watching the broadcast version, obviously. The final story gets a positive response, with the third panel preferring it over the Dalek story.
Everyone agrees that the McCoy opening titles are rubbish.

Matthew Sweet has a busy time, with three "Conversations". The best is with Mr Cartmel. The one with director Chris Clough doesn't really touch on his Doctor Who work very much, whilst Aldred has already been interviewed - so her chat mainly deals with her return in The Power of the Doctor, along with some thoughts on the various contradictory timelines for Ace, post Survival.
The big new documentary this time belongs on Disc 2 - a biography of actor Dursley McLinden who played Mike Smith in Remembrance of the Daleks. A hugely promising theatrical career cut short by the onslaught of AIDS / HIV, he represents a whole lost generation. Friends and family are interviewed, and we see and hear from Dursley himself through home movie footage. Russell T Davies, who knew him, speaks about how he inspired the character of Richie in It's A Sin. Toby Hadoke presents, as one of his "In Search of..." features.

Rumour has it that it's Season 7 next.

Thursday, 5 September 2024

A waiting game...


We all know that the next series will be on screen in Spring 2025, no matter what happens. This is mainly down to the fact that they filmed it straight after what they call Season One (but most of us call Series14), allowing Gatwa to do other work. It's in the can, and unless someone wants to write it off for tax purposes (as happened with the DC / HBO Max Batgirl movie a couple of years ago) we'll get to see it next year.
What happens next is the mystery, and there are concerns.
In the summer, around the time that the programme was being plugged (though hardly prominently) at San Diego Comic-Con, RTD was upbeat and told interviewers that the third new series would likely be commissioned in the autumn. He's now saying something different.
The issue these days is the co-production deal. Left to Bad Wolf / BBC, this would no doubt have been a fairly speedy process, but we now have the House of Mouse in the equation. 
Their input, partly editorial but primarily financial, is crucial. Were Disney to pull funding, the series would really need to find another partner in order to afford a full season of the quality we are now used to.
RTD is now saying that the decision to commission a third series won't be made until after S15 has aired. This would take us to late spring / early summer, depending on the broadcast dates, before they even begin to make the next series. 
And that's if it happens at all.
In my opinion, there is only one reason why Disney would hold back their decision to re-commit: they were not impressed by S14 alone, and want to see how S15 fares, and it will all come down to income against expenditure. 
It cannot be about the quality of the new stories in the can - as they will already have been screened for them. If they liked the response to S14, and are happy with the new batch of episodes, then why not go ahead and commit to more?
S14 may have had good audience figures for younger adults, but that was the only demographic which was reported as encouraging. As I've stated before, RTD was expected to increase the audience share for that demographic - but I'm sure it was supposed to be as well as the others, not instead of.
Overall, the BBC claimed to be happy due to audience share / weekly placing. These things are of some importance to Disney as well, but they are not a public service broadcaster. It's a business, and they want to see new subscribers and increased advertising revenue. 
If the new episodes can't deliver that, Disney will not reinvest. They've just shown that they can be perfectly ruthless when it comes to a series that doesn't meet expectations, even a prestige one - just look at Star Wars: The Acolyte, which has been cancelled after one season.
The big concern is that S15 is simply more of the same as S14, which under-performed when judged against most criteria of success.

Tuesday, 27 August 2024

Doctor Who Prom 2024

Yesterday saw Doctor Who return to the Royal Albert Hall for the latest promenade concert. There were two performances, one in the afternoon and one in the evening.
The latter is available now on BBC Sounds, running to 3 hours - though I saw online that the content only ran to around 45 minutes. They usually pad it out with popular, sci-fi related classical pieces, and there would have been an intermission as well. The event was filmed, due to be screened later in the year, possibly Christmastime.
Catherine Tate hosted, and there was an on stage appearance by Anita Dobson as Mrs Flood, in her white ensemble. Both Murray Gold and Segun Akinola were present, with RTD and Susan Twist among the audience.
The usual monsters patrolled the auditorium, including Cybermen, Judoon and Chuldur. 

Wednesday, 14 August 2024

2024 London Locations Walk


Despite all the Doctors that have come since, the monsters, companions and hundreds of episodes, the two most iconic images from the entire history of Doctor Who remain the Daleks gliding across Westminster Bridge (1964), and the Cybermen marching down the steps of St Paul's Cathedral (1968).
Of course, we never actually see the Dalek photograph reproduced exactly within the broadcast episode. We only get a low shot of them on the bridge, taken from the footpath beneath, which isn't even a close-up.
As for the Cybermen... Truth is that it wasn't until Death in Heaven that Cybermen were seen to walk down the steps of St Paul's. What they did in The Invasion was to walk down a set of steps on a hill opposite the cathedral. These steps no longer exist, as the area of St. Peter's Hill has been heavily landscaped and there is now a more gentle slope leading down to the Millennium Bridge over the Thames.


What can still be seen, looking very much like it did in 1968, is the junction of Knightrider Street with the Hill. Douglas Camfield got some lovely low angle shots of the Cybermen at this corner.
What follows are some other Doctor Who locations which can be visited over the course of a single day's walk.


I managed two lengthy walks on my last visit to the city - a zig-zagging one through the City of London itself, and one along the south bank of the Thames (this walk). 
In both instances, I began at Tower Hill.
Dominated by the Tower of London - UNIT's HQ between The Christmas Invasion and The Zygon Inversion - the First, Third and Eleventh Doctors all referred to unseen incarcerations here.
These were during the reigns of Henry VIII, Elizabeth I / James I (Raleigh was locked up by both) and Charles II.
Summer 2024 prices are just short of £35 for an adult, but you can see a lot just from walking around the peripheral public areas, including a view of Traitors Gate.
From the Tower, walk along the river towards the iconic bridge named for its proximity and cross to the south bank. On descending to the riverside walk, turn left - to the east.


You are immediately into the old warehouse district of Shad Thames. Very much gentrified since its appearance in Resurrection of the Daleks, when Lytton and his fake policemen gunned down escaped prisoners and random passers-by. Walk a short distance along the street and you come to Butler's Wharf. First seen on the opposite side of the river in the opening episode of The Dalek Invasion of Earth, there is a wide passage, marked with cast iron pillars, through to the riverside.


This marks the TARDIS landing site, and scene for many publicity photographs of the cast with the Daleks. The Doctor, Tegan and Turlough are seen walking through the passage onto Shad Thames after first arriving. 
Opposite this location is St Katherine's Dock, where the Robomen were filmed back in 1964. The marina there was used for scenes in The Talons of Weng-Chiang, including the Doctor and Litefoot in the rowing boat looking for the sewer entrance. 
You could therefore take this in before crossing Tower Bridge. We now retrace our steps back to Tower Bridge and continue along the river walk to the west.


You'll shortly come to HMS Belfast, which is actually another Doctor Who location. Not from the TV show, or any of its televised spin-offs, however. It was instead used for the filming on the unofficial production Shakedown, in which it played a spaceship boarded by Sontarans seeking a Rutan enemy. The cast included Sophie Aldred and Carole Ann Ford, and the video was written by Terrance Dicks - later expanded by him as a Virgin New Adventures novel incorporating the Seventh Doctor.
(£28 per adult if you want to go aboard for a closer look).


Continue your walk, leaving the riverside briefly to pass through Hays Galleria but rejoining it at London Bridge. You'll shortly see two locations - one seen in the series and one whose interior was "faked" by using another ecclesiastical building closer to South Wales. 
Dominating the skyline near London Bridge is the Shard. This building was central to the events of The Bells of Saint John. Miss Kizlet had her HQ here, under the control of the Great Intelligence, and the Doctor rode his anti-grav motorbike up the side of it. Borough High Street and St Thomas Street were also used for this filming.
In the foreground above is Southwark Cathedral - setting for the climax to The Lazarus Experiment. The cathedral does appear briefly in the distance in early scenes as the Professor describes his WWII childhood experiences, but the interior was all filmed at Wells.
The cathedral is well worth a visit. There is a memorial to Shakespeare here (he was a local for a time), but the guides were unable to tell me where his brother Edmund is interred.
If you haven't eaten yet, just behind the cathedral is Borough Market, which has an incredible range of international foodstuffs on offer. Badly crowded at times.
The streets between the market and Waterloo East station were used extensively in Remembrance of the Daleks for battle scenes between the rival factions.


There's more Shakespeare shortly, but first we go along Clink Street - named for the old prison associated with the palace of the Bishop of Winchester, and which itself has come to used as popular slang for a jail. This narrow street was used as another location for The Talons of Weng-Chiang, including the TARDIS landing site and several incidents between the Doctor, Leela and the Tong members. It is right at the corner where the museum now stands that the Doctor was only narrowly missed by an axe.


Shakespeare's Globe Theatre follows once you've passed under Southwark Bridge. A recreation of the Tudor Bankside theatre, it was the brainchild of US actor / director Sam Wanamaker - father of Lady Cassandra actress Zoe. The theatre allowed location filming for The Shakespeare Code, since the setting was the original building which was located only a short distance away.
A number of Doctor Who guests stars have trodden the boards here. My first ever visit was to see a Marlowe play rather than one by the Bard of Avon - Doctor Faustus - in which Arthur Darvill portrayed Mephistopheles, between the two halves of Series 6 of Doctor Who.


Right next door to the Globe is a range of very old houses (early 18th Century), including the narrow Cardinal Cap Alley. These buildings also feature in The Talons of Weng-Chiang.
They lie between the theatre and the old Bankside power station which now hosts Tate Modern. 


In front is the pedestrian Millennium Bridge - which can take you up to Knightrider Street and St Paul's Cathedral where we began as a short north bank detour, should you wish.
From Tate Modern, continue westwards along the river walk and you will shortly come to a more modern theatrical district.


This next area is where the post-war Festival of Britain had stood. It is now the site of the National Theatre, the National Film Theatre / BFI, and the Royal Festival Hall.
The brutalist concrete complex was deemed futuristic enough for it to be used as 26th Century Earth in Frontier in Space. Jon Pertwee and Katy Manning told many convention tales of filming around the area one Sunday morning with Draconians and Ogrons, scaring the homeless people sleeping rough there.
Nowadays there's a popular skateboarding zone plus an outdoor book and art print market.


At the moment, there is an odd Malpha-like sculpture outside the Royal Festival Hall...


You'll then come to the very busy area at the foot of the London Eye - used by the Nestene Consciousness as a transmitter to activate Autons and other plastic weaponry in Rose.


We have now reached one of the most iconic landmarks of London. As already mentioned, Daleks zoomed across Westminster Bridge, and the Ninth Doctor and Rose also ran across it in Rose.
Big Ben was hit by a Slitheen spaceship in Aliens of London, whilst a Dalek saucer easily passed overhead in The Dalek Invasion of Earth.


Cross over to the western side of the bridge and you'll see the steps which the Dalek considered during the scenes of Barbara, Jenny and Dortmun traversing London, and the stretch of embankment it glided along. It's a popular location for taking pictures of Big Ben, so always busy. On the left is St Thomas' Hospital - which played the part of the Royal Hope Hospital in Smith and Jones.
After you've perhaps taken a detour over the bridge to see Big Ben closer up, come back to the southern embankment and continue westwards towards Vauxhall. 


At Lambeth Bridge, the view towards the Houses of Parliament might look a little more familiar to Doctor Who fans if the skies were full of airships. This was the scene of the TARDIS landing site in The Rise of the Cybermen / Age of Steel.
Lambeth Palace is just across the road.


On the north side of the river we can see two large office buildings. One of these posed as Thames House - arrival place for the 456 species in Torchwood: Children of Earth. This was the real HQ for MI5 between 1934 - 39. The MI6 HQ you will also pass as you approach Vauxhall, recognisable from the James Bond films (until its destruction during the Daniel Craig era).


As I was staying in the Victoria area, I elected to end my walk at Vauxhall, where you can either walk across the river and up Vauxhall Bridge Road, or jump on the tube. The last Doctor Who landmark on this outing is Millbank Tower. This was the London HQ for Tobias Vaughn's International Electromatics in The Invasion - which brings us nicely full circle...

I did see some other locations on my travels, though dotted around rather than in a manner that could be grouped together as a walk. There are two story-specific walks which are fairly central and which I plan to do on my next visit - based on The War Machines and Invasion of the Dinosaurs.