Tuesday, 25 August 2026

What's Wrong With... Aliens of London / World War Three


Let's start with the way in which the government of the United Kingdom works. There's been a big incident - a spaceship crashing in central London. In any national crisis, a meeting of COBRA is convened - the name deriving from Cabinet Office Briefing Room A. The make-up of this meeting would depend on the nature of the incident, but here we would expect to see the Prime Minister taking the lead, and the other relevant Government Ministers would be the Secretary of Defence and the Home Secretary. There would also be senior representatives of the Police, military and health services. In the absence of the PM, the Deputy PM would lead. The official residence of the Chancellor of the Exchequer, the third most senior government minister, is right next door to 10 Downing Street.
Even with the PM disposed of, there are an awful lot of people who would be convening before you would ever get to the bunch we see here.
The Opposition parties could have intervened if they didn't like the leadership of the country falling to so lowly a figure as Green.
Martial Law would have been instituted long before such a junior minister got to assume the Premiership.

No-one seems to link the disappearance of the PM with the arrival of the spaceship. Rather than be allowed to take part in the inner circle leading the government, Margaret Blaine is more likely to have been arrested on suspicion of being involved in his disappearance - being responsible for tracking his movements and seemingly the last person to see him. Likewise Oliver Charles.
How does someone like Dr Sato know about his disappearance, when people actually based in Downing Street are just confused about the situation? (Okay, so we'll later find out that she works for Torchwood and may have special access to information, but that's a long way off yet. This actually creates a bigger problem, as we'll find out that Torchwood have a whole tower full of people in Docklands, whilst she's based away in Cardiff - so what is she doing here anyway?).

Even with roads grid-locked, there are such things as helicopters. Horse Guards Parade would make an ideal landing site. There's also access to Westminster via the Thames.
Unless the Slitheen have gotten rid of all of the people mentioned above, a meeting could be held remotely if the key personnel couldn't physically attend - so government would continue to function. That's the whole point of COBRA - to manage the crisis and to ensure continuity of government.
We later see all the alien experts like UNIT arrive at Number 10, followed later by a whole bunch of other disguised Slitheen. If they could make it through the streets, then surely a lot of the genuine key figures could do so.
Also, COBRA meetings don't usually take place in Downing Street anyway - hence the name. There are far more secure places in Westminster for such meetings to take place.

The story begins with the Doctor bringing Rose home a year late - causing all sorts of emotional problems for her mother and boyfriend.
In a few weeks time, we'll see the Doctor happily take Rose back multiple times to see her father on the day he dies - so why does he not simply bundle her back into the TARDIS and cancel this out by getting her back on the right date? It can't be anything to do with crossing his own time stream or meddling with past events if he has no problem doing it in Father's Day.
The Missing Persons posters give Rose's age as 18, but a whole year has passed, so Jackie should surely have said that she is 19 now if they are freshly printed ones (and we see she has a pile in her flat). The one the Doctor removes to read can't be an old one, as it would never have survived 12 months outdoors in London due to weather, being plastered over, or vandalism.

There's no computer or internet at Rose's home - she had to go to Mickey's to use his - yet they get a US TV news station. (The Iraq War was televised primarily through US footage - but that was shown through BBC and ITN broadcasts. We didn't all magically get CNN in the UK).

The Doctor and Rose are captured after setting foot outside the TARDIS. A helicopter somehow manages to materialise immediately above them, but they don't hear it approach. The Doctor was in the TARDIS because he wanted to run some scans - yet these didn't pick up the helicopter.
Also, Mickey is with them at the time, and he manages to evade capture - despite them surely being surrounded by armed police / soldiers and observed from the helicopter above...

There are timeframe issues with the story - such as Mickey spotting the Doctor and rushing to Jackie's flat at 10pm, whilst the Doctor is then seen with Sato at 10.55pm. Did it take him nearly an hour to get to the hospital?
There's bright sunshine when the TARDIS arrives. It's March, so it can't be very early. The spaceship crashes into Big Ben at 9.50am - which means that the Doctor has only been questioned about a possible abduction for only an hour or so. Why did this take place in Jackie's flat anyway, and not down the police station?
I say the ship crashes at 9.50am, but as everyone knows they decided to flip the image and the numerals on the clock face are back to front.

The Doctor only gets flagged up on government security systems after Jackie reports him (which she takes all day to do) - yet he's been questioned by police for a while that very morning. Does the alert system only function if a crisis has already begun? As his arrival usually precipitates a national / global calamity, wouldn't it make more sense to have it search for mention of him all the time, rather than wait until after trouble has already arrived?
Talking of IT issues, the idea that UNIT have a one word password that lets you locate nuclear submarines and fire its missiles is an astonishingly stupid one.
Last, but by no means least, the Slitheen decide to discard their skin-suits to answer the phone call from the UN about access to the nuclear weapons. Not only does this mean that they no longer sound human - and they're taking a call, remember - but they have massive claws in their natural state. How do they propose to pick up the receiver...?

Monday, 24 August 2026

Blog Update - Holidays


Just to give you plenty of notice, but I've got some holidays coming up next month - two trips back-to-back in the second half of September. This will mean there won't be any regular posts after Thursday 10th September until the beginning of October. I'll put up a reminder before I go.

Sunday, 23 August 2026

Episode 222: The Invasion (3)


Synopsis:
The Doctor and Jamie are in the warehouse area of the IE building, having heard Zoe and Isobel cry out. They are challenged by security guards, led by Packer. Jamie attacks him and they make for the exit - only to encounter more guards. Packer approaches, pistol drawn...
He is prevented from harming them by the sudden appearance of Vaughn. He does not deny that the two young women were here, but claims they left. Jamie insists that they heard them call out, and he saw Zoe's feather boa sticking out of one of the large metal cylinders. Vaughn invites them to search and they move away, but Packer quickly orders the freight train carrying these containers to leave immediately.
By the time the Doctor and Jamie reach the platform, the train is already on its way.
Vaughn explains that it is going down to his factory in the country, and states that he himself is going there now. They can come with him and inspect the containers on their arrival.
They take to Vaughn's Rolls Royce outside the offices and drive off. 
This has been observed by Corporal Benton, who reports back to the Brigadier at UNIT HQ.
Asked if he and Tracy should follow, the Brigadier instead instructs Sergeant Walters to send a helicopter to track them. On board will be Captain Turner.
He soon reports seeing the car enter the IE compound, and is advised to remain in the area.
The Doctor and Jamie are taken to Vaughn's office - which is identical to the one in London. He explains that uniformity is a key part of his business efficiency.
Vaughn tries to get information from the Doctor about the TARDIS circuits, which his own people have failed to explain. He then leaves to arrange for them to meet with Professor Watkins.
Jamie is worried that he is being far too nice to them, whilst the Doctor is more concerned about his interest in the circuits. Both are curious as to why Vaughn is letting them speak with Watkins.
Vaughn and Packer are in the professor's workshop, threatening to use Isobel to force him to collaborate with them.
The Doctor is looking out of the window and is intrigued to see a number of large white domes at the edge of the compound, of the sort which house long-range tracking systems. Jamie notices the UNIT helicopter in the distance.
They are then taken to see Watkins. He knows of the Doctor through Anne Travers, and wants to hear more about the TARDIS. The Doctor evades his questioning and produces a magnet from his pocket, which he uses to disable an electronic eye which has been spying on them. They then learn of the professor's work on a teaching machine he calls the Cerebratron Mentor, which induces emotional impulses.
Vaughn and Packer see the monitor in his office reduced to static. Vaughn had hoped to learn more of how his allies could know of the Doctor, and his presence on an alien planet. He has deduced that the Doctor must have some sort of travel machine, and the strange circuits are part of this.
He decides that the time to play games with them is over as he and Packer go to the workshop and remove the Doctor and Jamie, threatening Zoe if they won't co-operate with him.
As they are marched towards a lift, the Doctor causes a distraction. Packer is shoved aside and they enter the lift and ascend to the upper levels. The Doctor sabotages the controls so that it can't be brought back down.
Packer has guards sent to every level - unaware that the Doctor and Jamie have exited the lift through a hatch in its ceiling and are climbing a ladder up the shaft to the roof of the building.
When the lift controls are overridden, Packer is surprised to find it empty - but Vaughn is furious with him for failing to realise that they would have gotten out the way they did. Packer sends the lift up to the top of the building - hoping to crush them, despite Vaughn wishing them to be taken unharmed - but they are already safely outside.
They find a fire escape and climb down to ground level. Packer is forced to report to Vaughn of his failure to capture them on the roof - infuriating him further. 
The entire compound is put on full alert.
The Doctor and Jamie have found their way to the railyard. As Packer and his men approach, they decide to hide in one of the freight cars - Jamie climbing inside one of the metal cylinders, which appear to contain large cocooned objects.
He is shocked to discover that he is not alone in the darkness of the container. There is something alive, stirring within the cocoon...

Data:
Written by Derrick Sherwin (from a story by Kit Pedler)
Recorded: Friday 4th October 1968 - Lime Grove Studio D
First broadcast: 5.15pm, Saturday 16th November 1968
Ratings: 7.1 million / AI 54
VFX: Bill King & Trading Post
Designer: Richard Hunt
Director: Douglas Camfield
Additional cast: Edward Burnham (Professor Watkins) 


Critique:
In writing The Invasion, Derrick Sherwin first concentrated on the opening few episodes, which are the ones which more closely resemble a conventional spy thriller. The action concentrates on Tobias Vaughn and his henchman Packer, with the Doctor investigating International Electromatics with only Jamie as companion. Zoe has been side-lined in the plot, with Isobel, and doesn't feature at all this week.
We are only drip fed the information that Vaughn has less than conventional allies. There's the strange machine hidden in his office, which alerts him to the fact that the Doctor is known to it and has been seen on an alien planet. This pins down who might be behind all this, and the voice of the Cyber-Director would probably have given the game away for those who might not have read the Radio Times for the week of the first episode. The Brigadier and UNIT have been introduced, but they are very much sitting on the side-lines for now - held back until the invaders finally show themselves, though they will have something exciting to do in the fourth instalment.
This week, we move away from London to IE's rural compound. Visually, there's not a lot of difference as the same locations are used, and Vaughn likes his offices to look identical.
We get one new character introduced - Professor Watkins, whose disappearance got the Doctor into this in the first place. As mentioned last time, he was initially going to appear in Episode Two but his first appearance was kept back until now.

Filming for this episode began on Thursday 5th September, at Kingston Minerals in Gloucestershire. This was for scenes involving the UNIT helicopter which tracked Vaughn's Rolls Royce - a Silver Cloud. The 'copter was an Alouette supplied by Gregory Air Services, who had previously contributed to Fury From The Deep. A nearby field was used, and close-ups of Robert Sidaway (Capt. Turner) in the machine were filmed on the ground from a low angle.
The following day saw the crew move to Associated British Maltsters at Wallingford, for the sequence where the Doctor and Jamie climb down a fire escape. The company provided a modern office block and more railway sidings. This filming made the local press.
On Saturday 7th, Troughton, Hines, Stoney and Halliday were filmed exiting Millbank Tower and getting into Vaughn's Rolls Royce. Hines would later borrow the vehicle to drive around London to impress his friends.
Last time, we mentioned that Troughton, Hines and the crew had finished filming in Notting Hill on Wednesday 11th September, and moved to Acton - the location of the Guinness Brewery. This had been identified by local resident Chris D'Oyly John who was Production Assistant on the story (pictured below right).
They arrived in time for lunch, which included several bottles of the company's famous product. The visitors were gifted Guinness Christmas Puddings. (Troughton would later report that the alcohol fumes caused his to explode). Troughton organised a water fight after the meal. Everyone got a little merry, but fortunately only some action scenes were required from the cast that afternoon, with no dialogue.
For one scene where the Doctor and Jamie had to peer round the corner of a building, both actors kept falling over.
The final filming for Episode Three took place at Ealing on Friday 13th September, for the sequence where the Doctor and Jamie climb up the lift shaft. "Kilroy Was Here" graffiti was added to the set for a touch of verisimilitude. This had been at the suggestion of Hines who argued that British workmen would do this sort of thing, after Douglas Camfield had initially objected.


Prior to recording on Friday 4th October, a few script amendments were made - including Packer using a wrist-mounted communicator instead of a conventional telephone next to the lift.
Watkins was described as short, bald and short-sighted.
The US Information Office supplied footage of an Early Warning System, which would be used when the Doctor spied on it from Vaughn's office. This was viewed through a circular mask to indicate the Doctor's POV through his telescope.
The compound office was simply the existing London set with a new backdrop behind the window blinds. As well as saving on creating a new set, this obviously tied in with Vaughn's ultra-efficiency through uniformity nature.
John Levene had been hired to play Benton in this episode, but did not feature on screen - only providing a radio narrative for the Brigadier.
Recording breaks were mainly for cast movements. The last was for Hines to move from the cylinder prop to another which had a cutaway section, for his close-up as he sees the object within the cocoon begin to stir.


"Our friend the Doctor's a resourceful man. No wonder our allies fear him".
"Our allies know him?"
"Oh yes, I was ordered to destroy him. But first I must learn the secrets of this extraordinary machine of his"
"If you've been ordered to destroy him - "
"I don't take orders, Packer, I give them!..."

"You know something? You're a clever wee chappie".

This episode is really about two pairs of characters - a couple of double acts. One is humourless and regimented, the other funny and anarchic. 
The Brigadier does feature briefly and we get to meet Professor Watkins, who gets two scenes - one with each of these pairs, and which very much highlight their different characteristics.
Vaughn and Packer are deadly serious (though Vaughn has a smirking charm about him). Vaughn threatens, and Packer bullies. We also get to see how the boss is infuriated at the incompetence of his underling (which takes us back to why he not only employs him, but seems to rely on him a great deal. Last week we also met Gregory, who doesn't exactly inspire confidence as a head of research). 
There is some humour to be had from watching Packer becoming increasingly exasperated at what is his own incompetence. 
The Doctor and Jamie, meanwhile, do what they do best - get into trouble then find clever ways to get out of it. It's very clear that Troughton and Hines are completely in tune with each other as performers. Hines has said as much in interviews, claiming they could each tell what the other was thinking - and this sometimes comes across with their characters. They've not only worked together solidly since The Highlanders, but they had acted opposite each other in previous drama productions. 
Troughton and Kevin Stoney were both character actors, who had found steady work in supporting roles. Halliday had been a leading man for a time, starring in low budget British movies such as Dilemma (a suburban thriller written by Pip & Jane Baker) as well as on TV in the two Andromeda serials. 
Hines had been a juvenile lead, but at this stage in his career was being pressured by his agent to get into films, so was hoping to land leading (or more prominent supporting) roles.

We're concentrating on the main characters this week, as it's another episode which is really treading water. 
We're biding our time until Vaughn's allies make themselves known, and the promised invasion gets under way. All that's really happened is that we've moved from one location to another, which in many ways is identical to what we've already seen so far. 
Being a technocrat, it was easy to have him obsessed with uniformity and duplication - so that his offices would have the same overall design and layout (which was obviously a blessing for the designer and for the budget).
One new element of significance is the work which Watkins is being forced to carry out for Vaughn. A machine which generates emotional impulses. 
It's a 'Chekov's Gun' - introduced now because it must have some relevance later. 
Edward Burnham will get a very good scene with Kevin Stoney later, but otherwise the professor's invention is the character's only real contribution to the story. You can see why they decided it wasn't really worthwhile hiring Jack Watling again. 

Trivia:
  • The ratings remain stable, with the appreciation figure actually rising by a point.
  • Edward Burnham will return to the series as another professor - Kettlewell - in Robot.
  • There is some confusion as to just what the professor's invention is called. I've gone with what appears in DWM's The Complete History. A transcript site has "Cerebraton", whilst the TARDIS wiki insists on "Cerebration". Burnham certainly doesn't pronounce it as "Cerebration".
  • Packer presses Floor 3 to get to Watkins' workshop - yet Jamie declares that they are 6 floors up when he and the Doctor first escape into the lift, having just come from the workshop...
  • The Guinness company's in-house magazine covered the filming at Acton, including a photograph of Troughton and Hines with some of the workers:

Saturday, 22 August 2026

Blake's 7 Season 3


In the absence of any news on the next Doctor Who - The Collection box-set, we can at least look forward to Season 3 of Blake's 7 coming this Autumn. This is the first one following the departure of the title character, so Paul Darrow's Avon really comes to the fore.
As with the previous seasons, there's plenty of Doctor Who crossover in terms of guest stars and even the odd prop and costume.
Each episode comes with brand new VFX. There were a few very good model shots in the broadcast episodes, but generally I was always disappointed in the standard of effects in the series (like the Federation Pursuit Ships and even the Liberator itself looking like cardboard cut-outs).
There are usually a lot of excellent extras.
No confirmed release date yet - Season 2 came out in November last year. It has been on pre-order on the usual sites since March, RRP in the UK £39.99.

As for the next Doctor Who box-set, well that was expected late October, going by previous years - but the Autumn release was usually advertised before now. 
All but one of the outstanding seasons has major technical issues to resolve or missing episodes which have yet to be animated (and the stand-alone animations have pretty much dried up it seems). 
It may well be the case that we are only going to get one release a year going forward. The one season which is relatively "good to go" is the one most people do think will be next - Season 16, the Key to Time. 
Whichever one comes next, I just hope that they lay off the AI picture "enhancements", which have been universally criticised...

Thursday, 20 August 2026

R is for... Rattigan


Luke Rattigan was a teenage scientific genius, best known for inventing ATMOS, a system which effectively removed carbon dioxide from vehicle emissions. 
He had begun by inventing new computer software aged only 10, and by 12 he had created the successful Fountain Six search engine.
He used his wealth to set up a private academy in North London, which accepted only the most gifted of students. Much of the work they did was around space exploration, including terraforming technology.
He had secretly entered into a partnership with the Sontarans, who sought to exploit Earth's pollution to turn it into a clone-breeding planet as part of their long-running war against the Rutans. ATMOS was really designed to pump out the gases necessary to change the atmosphere of the planet. 
It also had a built-in satellite navigation system, which could be overridden to eliminate anyone who tried to investigate what Rattigan was doing, such as journalist Jo Nakashima.
General Staal of the Tenth Sontaran Battle Fleet had a flagship in hidden orbit above London, and had set up a teleport unit at Rattigan's academy, as well as another at the ATMOS factory. 
The latter was investigated by UNIT after a number of simultaneous deaths globally, all involving the device.
Rattigan had been promised a new life with his students on the planet Castor 36. 
When ATMOS was activated across the planet, he found that his students were unwilling to abandon their families and follow him. When he reported this to Staal, he was shocked to learn that the Sontarans had never intended to honour their promise.
The Doctor elected to use a terraforming device to destroy the Sontaran flagship, even though it would mean his own death. Seeking revenge, his dreams of a new society shattered, Rattigan swapped places with him at the last moment and activated the device.

Played by Ryan Sampson. Appearances: The Sontaran Stratagem / The Poison Sky (2008)
  • Sampson began his acting career at the Crucible Theatre in Sheffield, but is best known for long running TV comedy roles, including Brassic and Plebs.
  • He was a fictionalised Charles Dickens in The Frankenstein Chronicles, and played Dudley Moore in an episode of The Crown.
  • More recently he has been seen as Mr Collins in The Other Bennet Sister.

R is for... Ratcliffe


An East End businessman who led an organisation known as The Association. Ratcliffe had been a supporter of Oswald Mosley's British Union of Fascists before the Second World War, leading to his imprisonment. The Association carried on many of its racist ideals. 
In 1963 he was running a builders merchant business in the Coal Hill area of Shoreditch.
One young member of the Association was Sergeant Mike Smith, who was attached to the Intrusions Counter-Measures Group, a specialist military force.
Together they worked with the Supreme, leader of a renegade Dalek faction, to obtain a stellar manipulator device which had been left in the area by the Doctor. This was the Hand of Omega, which had first helped give the Time Lords the power they needed to begin time travel experiments.
Ratcliffe allowed the Supreme to install its battle-computer in his office. This was operated by a schoolgirl under the Supreme's mental control.
His reward for helping the Daleks was the kind of fascist society he longed for, one in which he would have a leading role to play.
However, a second Dalek faction - loyal to the Emperor - also came in search of the Hand.
Through Mike, Ratcliffe was able to steal the remains of a destroyed Dalek to prevent the ICMG from investigating it. He then located the Hand, buried in a local cemetery, and had it dug up and moved to his yard.
Imperial Daleks attacked and seized it. When it became clear that the Daleks could not be trusted, Ratcliffe and Mike tried to steal the Supreme's time travel device to use as a bargaining chip. The schoolgirl had also been given special powers by the Daleks, including the ability to fire lethal energy bolts from her fingers. As Ratcliffe tried to flee, she killed him.

Played by George Sewell. Appearances: Remembrance of the Daleks (1988).
  • Sewell (1924 - 2007) was best known for playing policemen or villains. 
  • He came to acting only in his mid 30's through Joan Littlewood's company at Stratford East, after meeting actor Dudley Sutton in a pub. He appeared in the stage productions of Sparrers Can't Sing (and its film adaptation Sparrows Can't Sing) and Oh, What A Lovely War!.
  • For Gerry Anderson, he played Colonel Alec Freeman in 17 episodes of UFO

R is for... Raston Warrior Robot


One of the most lethal killing machines in the universe, according to the Third Doctor. He and Sarah Jane Smith encountered one in the Death Zone on Gallifrey. It inhabited a cave on the far side of the mountain which loomed over the Dark Tower, tomb of Rassilon. This cave contained spare weapons, though it had many built-in. These included spears, a sword and razor sharp throwing discs. It moved with lightning speed, causing it to appear to vanish as it moved.
In appearance, it had a sleek silver body with a featureless mask. It may have been left over from the ancient war games instituted by Rassilon, or a recent arrival brought into the Zone by President Borusa using the Time Scoop.
The Doctor and Sarah witnessed a party of Cybermen wander into its territory. It quickly destroyed them all. The distraction allowed them to escape, the Doctor taking some steel rope from its cave with which to reach the top of the Tower.

Played by Keith Hodiak. Appearances: The Five Doctors (1983).
  • Hodiak Hampden Sears (1950 - 2025) was a Guyana-born actor and dancer.
  • He featured in the movies An American Werewolf in London, The Lion, The Witch and the Wardrobe, Full Metal Jacket and Revenge of the Pink Panther, whilst TV roles included The Chronicles of Narnia and Are You Being Served?.
  • The robot's origins are obscure, and the name doesn't help. Is it a robot created by Raston Warriors, or a Warrior Robot created by the Rastons? Or indeed a quite distinct autonomous robotic race?
  • The non-fiction BBC book The Monster Vault claims that the name Raston derives from "Rassilon Automaton", suggesting they were created specifically for the Death Zone.
  • Ironically, the costume was a reused version of the Cyberman sentinel androids seen in Earthshock.
  • The Robot was a late addition to the script, replacing a sequence set in a village populated by Autons.

R is for... Rassmussen


A scientist encountered by the Doctor and Clara Oswald on the Le Verrier space station, which was in orbit around Neptune. In the 38th Century, the human race had sought to maximise productivity by reducing the need for sleep. This was still essential for physical and mental health, but technology had been developed to compress it into a matter of minutes rather than hours. 
Professor Gagan Rassmussen was the inventor of the Morpheus Pod, which rewired the human brain via a carrier wave, allowing its user to achieve a month's worth of rest in only five minutes.
An unfortunate side effect of his improvements to the system was a build-up of rheum in the eye, which gained sentience through the carrier wave. The pod users were then consumed by the resulting organisms, known as Sandmen. Rassmussen himself was a victim, but the Sandman which devoured him was able to take on his likeness.
He then manipulated the rescue party which was sent from Neptune to find out why contact had been lost with the station, creating a seemingly plausible scenario for why he had survived. His plan was to beam the Morpheus carrier wave out across the Solar System to infect everyone and so create more of his kind.
This would be achieved through people viewing the footage from the station, with the carrier wave hidden within the transmission. This was why his contrived narrative had to be exciting and interesting to watch.
The Sandman Rassmussen could not hold his form once the station's gravity shields were destroyed, and he crumbled to dust.

Played by Reece Shearsmith. Appearances: Sleep No More (2015)
  • Mark Gatiss wrote the part of Rassmussen especially for his fellow League of Gentlemen star Shearsmith. Gatiss had already featured in the series, twice, as well as writing for it, whilst the third of the Gentlemen - Steve Pemberton - had guest starred in Silence in the Library / Forest of the Dead.
  • In 2013, Shearsmith portrayed Patrick Troughton in An Adventure in Space and Time, which was written by Gatiss.
  • One other Doctor Who connection - again through Gatiss - are appearances in the P.R.O.B.E. spin-off videos, which featured Caroline John as Liz Shaw, and Auton, all produced by Bill Baggs.

Tuesday, 18 August 2026

Inspirations: The Pyramid at the End of the World

 
We explained the general inspiration for this trilogy of episodes last time. Writer Peter Harness's idea had involved "Kung-fu Monks" whilst Steven Moffat had actually considered destroying the Earth - but as separate stories. The showrunner then decided to merge these, plus Toby Whithouse's 1984 Orwellian society drama, into a single storyline.
Harness wanted his episode to be a comment on current world affairs, similar to what he had done with his Zygon two-parter the series before, which had dealt with issues of radicalisation amongst young Muslims. The background was Donald Trump's first run for the Presidency of the United States. He felt that what Trump was offering to the American people was simply a short-term fix, one that might prove disastrous in the longer term.
The aliens would therefore appear benign initially, in order to take in their intended victims. This idea had been used before by Bob Baker & Dave Martin in The Claws of Axos - an idealised family group of golden skinned humanoid, bearing gifts, who were actually tentacled monsters, out to destroy all life on Earth. It was also the M.O. of the Nimon in The Horns of Nimon. 
He hit upon the aliens as monks - generally peace-loving, spiritual individuals.
The "Kung-fu" aspect came from the fact that they were initially supposed to have martial arts skills.
They would turn out to be blackmailers from another dimension, who observed probabilities to seek out points in time when a race might be at its most vulnerable, then step in to appear to offer salvation.

Researching potential flash points in recent history, Harness noted an occasion when a Norwegian rocket was launched from the US for scientific purposes, but was mistaken for a missile by the Russians in 1995, and another incident in 1983 when the Russian satellite defence system had erroneously flagged up an attack.
It was going to be revealed that the Monks had tried to intervene before during these events, as well as the Cuban Missile Crisis of 1963, but this information had been supressed by the three major powers.
For his episode, he decided to go with a story he had read about an artificially created soil bacteria named Klebsiella planticola, which broke down plant waste and turned it into ethanol. However, this had only ever been tested in laboratory conditions using sterile soil, and in nature it would prove to be much more powerful - potentially destroying healthy plants.
We are naturally reminded of the insecticide DN6 in Planet of Giants, which appears effective to its creator in the laboratory but will actually destroy all insect life, including that which is essential for agriculture. Harness was actually going to call his soil bacteria DN8, and it was to have been manufactured by Global Chemicals - the company responsible for The Green Death.
This was changed as there is a real company of that name, though one which has never knowingly created a race of giant maggots (as far as we know...).
Hungover lab assistant Douglas was to have had a conversation with Erica about boiled eggs for lunch - a nod to the discussion between scientists Phillips and Goodge in Terror of the Autons.

Harness looked to his Zygon story for other elements. The Doctor would once again be made President of Earth, and the Monks would arrive in the disputed region of Turmezistan. This was where the Zygon rebels had established their base. Here, it is a potential point of conflict between the US, Russia and China.
Whilst the UN features, through the presence of its Secretary General, UNIT does not - despite this being right up their street. (UNIT had become disassociated from the United Nations back in The Sontaran Stratagem, but as an independent multi-national organisation you would have thought they ought to have been involved. They had actually been included in Harness's original storyline, including the return of Kate Stewart. She couldn't appear anyway as Jemma Redgrave had just taken on a regular role in Holby City).
The appearance of the Monks as mummies came from images Harness had seen of mummified corpses in catacombs, which he thought would make for a striking visual image.
Bill's role had to be pivotal. It would be she who would permit the Monks to intervene on Earth - more for saving the Doctor than for the whole world. His blindness - introduced in Oxygen by Jamie Matheison and carried over by Moffat, would lead to him having to be saved.
Bill was originally going to appear to have been vapourised by the Monks on her acceptance of their help, which would form part of the cliffhanger for resolution in the next episode.

Mention is made of the Doomsday Clock. This was created in 1947 by the Manhattan Project scientists to measure the imminent danger of human-made catastrophe. Midnight would signal the end of the world. As of January 2026 it has been set at 85 seconds to midnight - the highest it has ever been. This is due to the on-going risk of nuclear warfare, as well as the mounting concerns about the climate and the rise of Artificial Intelligence.
Next time: The Monks party like it's 1984. The Doctor looks like he's gone over to the dark side, until Bill shoots him...

Sunday, 16 August 2026

Episode 221: The Invasion (2)


Synopsis:
Vaughn studies the circuits which the Doctor gave him, then activates a control on his desk. A panel in the wall behind it slides open to reveal a strange machine...
The Doctor and Jamie are walking away from the IE building when they become aware of a car slowly following behind them. Another then blocks the end of the street.
They decide it would be useless to run and so sit down on the kerb, where the Doctor produces a pack of playing cards.
Back at her studio, Isobel is trying to find out more about her new friends. Zoe is worried that the Doctor and Jamie are still not back yet - knowing how easily they get into trouble.
Vaughn has summoned his head of scientific research - Gregory - to his office, to show him the TARDIS circuits. He gives him a deadline to work out their function and method of manufacture, then orders Packer to provide him photographs of the two recent visitors.
Zoe and Isobel decide to go and find the others at the IE building.
Benton and Tracy have driven the Doctor and Jamie to an RAF base, and they approach a large transporter aircraft which is sitting on the tarmac. Within is a mobile headquarters, and they are pleasantly surprised to find that in charge here is their old acquaintance Lethbridge-Stewart. He is a Brigadier now, and leads a force called the United Nations Intelligence Taskforce, or UNIT for short. He states that their encounter with the Yeti in the Underground was some four years ago.
UNIT was set up as an investigative, intelligence gathering organisation, and at the moment they are particularly interested in International Electromatics and its CEO Tobias Vaughn. This is why they were monitoring the building and noting everyone who visited. The Brigadier recognised them from photographs sent to him by Benton and Tracy.
He states that whilst they observe people entering, not everyone comes out again...
At that moment, Zoe and Isobel have arrived at the reception area of the IE building and encountered its automated receptionist.
With his photographs of the Doctor and Jamie, Vaughn is consulting with the machine behind the secret panel. It tells him that the pair are known to it from Planet 14 and are regarded as hostile.
Vaughn is intrigued to know how they could be known from an alien planet, and is concerned that the plan for an imminent invasion might be threatened. 
He is interrupted by the security feed from the reception area.
Frustrated by its failure to tell them anything about Professor Watkins or the Doctor and Jamie, Zoe gives the computer an unsolvable mathematical problem. It blows a fuse.
Vaughn watches, bemused, from his office - then sends Packer to fetch the two young women.
They are captured by uniformed security guards.
The Brigadier is showing the Doctor and Jamie images of the people entering the IE building whom he is concerned about. Some are top computer scientists and one is of Major General Rutlidge from the Ministry of Defence, who is UNIT's liaison with the government. Not all the people have vanished. Some have emerged but with changed personalities. Rutlidge, for instance, was in favour of his investigation into IE, but is now opposed to it.
The Doctor and Jamie then recognise another image as that of the lorry driver who gave them a lift at the IE compound. He is a UNIT agent, and has failed to report in.
The Brigadier informs them that IE have cornered the market in computer technology, thanks to the invention of a micro-monolithic circuit which features in all their products. He explains that Vaughn has powerful friends and his options for investigating him are limited, so the Doctor agrees that he and his companions will have to find their own methods of finding Watkins.
The Brigadier gives the Doctor a communications device before they leave, then arranges a lift back to London.
They find Zoe and Isobel absent when they get back to the house, and the Doctor begins to examine the radio which Vaughn had given to Jamie, intrigued by one particular circuit. They then read a message Zoe has left to say they have gone to the IE building to look for them. They hurriedly depart. 
Vaughn is explaining to his latest visitors that he can now use Isobel to make her uncle more co-operative.
Arriving outside the IE building, the Doctor contacts the Brigadier and learns that Zoe and Isobel were seen to enter but haven't come out yet. The Doctor decides to bypass the main entrance and use another at the rear by some railway sidings.
They find themselves in a warehouse area filled with large metal cylinders. They observe a workman carrying one of these effortlessly - but when Jamie tries to lift it he finds it impossibly heavy.
Their arrival has been spotted on security cameras and Vaughn alerts Packer. He must use the girls to trap the Doctor and Jamie.
In the warehouse, they hear the girls cry out. When they rush towards the sound they see Zoe's feather boa sticking out from inside one of the cylinders, which Packer is ordering be loaded onto a freight train.
Jamie attacks him, but more guards appear and they are forced to run - only to find their exit blocked.
Packer approaches them, his pistol drawn...

Data:
Written by Derrick Sherwin (from an idea by Kit Pedler)
Recorded: Friday 27th September 1968 - Lime Grove Studio D
First broadcast: 5.15pm, Saturday 9th November 1968
Ratings: 7.1 million / AI 53
VFX: Bill King & Trading Post
Designer: Richard Hunt
Director: Douglas Camfield
Additional Cast: Nicholas Courtney (Brigadier Lethbridge-Stewart), Robert Sidaway (Captain Turner), James Thornhill (Sergeant Walters), Ian Fairbairn (Gregory)


Critique:
If you read the novelisations, or certain early reference materials, UNIT was set up at the Brigadier's personal instigation because of the incident with the Yeti in the Underground. His proposal for a taskforce designed to deal with future events of this sort was accepted, and he was placed in charge of the British division of UNIT. This may well be the case, but it is never specifically set out that way on screen.
Though described as a military / scientific organisation in Sherwin's notes, there is no evidence of the Brigadier actually employing any scientific staff in this story. There are uniformed troops, such as Captain Jimmy Turner and Sergeant Walters, but he also employs plain clothes agents for undercover work, such as the lorry driver in Episode One. Corporal Benton and Tracy are also seen to be wearing civvies as they mount surveillance on the IE building.
Douglas Camfield was involved in the design of the UNIT uniforms, which were of a mushroom colour. Berets were used as their headgear, which bore the UNIT emblem - the initials printed above a circular grid pattern.
Barry Letts hated these uniforms and changed them to conventional British Army dress at the first opportunity - something which Camfield was unhappy about when he returned to the programme to direct Terror of the Zygons.
Camfield did not agree with Lethbridge-Stewart being promoted to Brigadier as this looked wrong on screen, but was purely down to budgetary constraints. A Colonel, he argued in an interview with the DWAS, would have some 900 men to command, and a Brigadier three times that number - yet all the Brigadier ever seemed to have was about half a dozen or so.
The Ministry of Defence were approached to provide help with this production, which was granted when it was seen that the script showed the military in good light.

Filming for this episode began on Tuesday 3rd September at RAF Fairford in Gloucestershire. An RAF Hercules transporter 'plane was provided to act as UNIT's mobile HQ, and RAF personnel acted as UNIT groundcrew for the sequence where the Doctor and Jamie are brought to the site in a Jaguar motorcar.
Geoffrey Cheshire, playing Tracy, actually drove the vehicle onto the plane, even though you can't really see the driver on screen. 
On Saturday 7th September, Millbank Tower in Pimlico was used for scenes of the Doctor and Jamie returning to the IE building. These scenes were filmed at the same time as those for Episode One.
Wednesday 11th then saw Troughton and Hines on Heathfield Street and nearby Walmer Road, Notting Hill, for the sequence where the Doctor and Jamie are pursued and trapped by the cars, then sit down to play cards - a visual ad lib as the pair were always playing card games during breaks in rehearsals. Troughton also suggested the idea that they begin walking slowly in unison then quickly gain speed.
The Production Assistant on this story, who would work frequently on the programme up until The Talons of Weng-Chiang, was Chris D'Oyly John. He lived in Acton and identified the nearby Guinness Factory on Western Avenue as a suitable location for many of the scenes requiring IE's industrial premises, both in London and at their rural compound. Part of the factory was no longer in use.
Cast and crew moved there after the Notting Hill filming, and scenes shot included the Doctor and Jamie breaking into the IE building via railway sidings to its rear. 
We'll talk about the filming here, and what went on after a (very) liquid lunch, when the location features more prominently in the next episode...


Work on the story for Ian Fairbairn was supposed to have included location filming - a sequence where Professor Watkins is rescued - but this had been dropped, so his first involvement was in this episode.
Also joining the cast was Nicholas Courtney, who got back into the swing of rehearsals with Troughton and Hines by participating in their games during the breaks. One popular game was liar dice, where each person takes a turn to roll 5 dice which are hidden from the others. They make a claim as to how many dice of the same score are present. The others then have to bid against the claim, which may be true or false.
One aspect of rehearsals which Courtney did not like was the "fun runs" which Camfield employed to get rid of any nerves or silliness from his actors - playing out the episodes with silly accents, for instance.
Edward Burnham, playing Professor Watkins, was originally supposed to be introduced in this episode, and the actor was initially contracted to also provide the voice of the Cyber-Director. When the scripts were rewritten to have him not appear until later, this role went instead to Peter Halliday.
A number of photographs were taken near Millbank Tower - high angle shots of a number of people which the Brigadier shows to the Doctor and Jamie. Three of these we get a good look at - a scientist named Gordon Jones, Major General Rutlidge and the lorry driver. There are more on the desk, and these are actually photos of the production team: Sherwin, Camfield, Terrance Dicks and Peter Bryant.
The reception computer prop was rigged with smoke charges for when Zoe confounds it with an ALGOL problem.
The Doctor's request for a pat-a-cake biscuit with his tea was another ad lib from Troughton.
Recording breaks were mainly to allow cast members to move from set to set, though one was used to place stage weights in one of the cylinders so that it would look genuinely heavy when Frazer Hines attempted to lift it.
The warehouseman seen carrying the large cylinder is Gordon St Clair who, as Gordon Stothard, had played a Yeti in The Web of Fear and is better known for playing Grun, the King's Champion, in The Curse of Peladon. Another warehouseman is played by John Lord, who had also been a Yeti.
Wendy Padbury and Sally Faulkner had pre-recorded their screams earlier that day.
Neither would be required to work on the following week's episode, meaning a holiday for Padbury.

The earliest surviving episode from this story, it lets us have some idea of what the missing Episode One looked like - but that's pretty much all it gives us beyond the introduction of the Brigadier and UNIT. Not a lot happens otherwise.
We learn that Vaughn is planning an invasion with some unknown power - but then the story is called The Invasion...
Not only does he have a fairly incompetent henchman in Packer, it also appears that his head scientist isn't terribly good at his job either. Presumably all of IE's innovations have come from the Cybermen - but surely they must have been a major global business already for the Cybermen to have agreed to collaborate with Vaughn.
There is some humour in the episode - such as the scene where Zoe wrecks the computer, which even Vaughn finds amusing. Then there are the little bits of business from Troughton such as the card playing on the street; his rather shocked reaction to the Brigadier giving him a TM-45: "Is that a tank?"; and his child-like request for a pat-a-cake biscuit.

Last week we mentioned that paperwork suggested a date of 1976 for this story, whist both Radio Times and the continuity announcer stated that it was set in 1975. Here, the Brigadier says of the business with the Yeti in the Underground: "Must be four years ago now". This would place the events of The Web of Fear around 1971 - whereas Travers had claimed about 40 years had passed since his first encounter with the Doctor, which was dated to 1935. If we went by that dating, then The Invasion should be taking place around 1979.
Discussion of when this story takes place is important, as it will affect the whole chronology of the Cybermen. Remember, they are only supposed to first be encountered by the human race in December 1986 when Mondas returns in The Tenth Planet. We'll look at this later, once they've made their appearance.

The other issue to consider is this mention of "Planet 14".
Wherever this is, it has been visited by the Doctor, in his second incarnation, and Jamie. It may well refer to some unseen story, but if it's one we've seen then there can only really be one contender - Telos.
The Cybermen, being creatures of pure logic, would never give fancy names to planets they have invaded and taken over. They are much more likely to simply code them with a number - i.e. Planet 14 is the fourteenth planet they have taken over. They only used the name Telos as that is what it was called by its original inhabitants, in the same way they continued to call Mondas by the old name it was known by before they became the Cybermen.
One issue with Planet 14 being Telos is, of course, the dating again. The Tomb of the Cybermen definitely takes place in Earth's future, perhaps 500 years after the events of The Moonbase if Viner is to be believed. Up until Attack of the Cybermen, they certainly do not have time travel capabilities, as in that story the time-ship they do have is stolen from someone else - then blown up before they can really exploit it.
Going back to that missile strike in Episode One, it seems that the Cyber-Director only becomes aware of the Doctor's involvement once it has been shown the photographs of himself and Jamie - so that attack was most likely just some automated defence, probably to prevent some conventional Earth satellite from observing the dark side of the Moon.

Trivia:
  • The ratings remain comparatively steady from the previous week, with only slight dips for both figures.
  • Robert Sidaway had previously played Avon in The Savages.
  • Turner is the first of the Brigadier's "Jimmy's" - a succession of different captains prior to the arrival of Mike Yates.
  • Ian Fairbairn is another of Camfield's repertory of actors, though his first appearance in the series was as Questa in The Macra Terror. He will return to the series as technician Bromley in Inferno, and as Dr Chester in The Seeds of Doom.
  • Isobel plays The Teddy Bears Picnic on an old gramophone she says she picked up on London's Portobello Road, famous still for its street market. This song was written and performed by Henry Hall and his Orchestra in 1932. The melody predates the song, being written by American composer John Walter Bratton in 1907.
  • Pat-a-cake biscuits were manufactured by Peek Freans in the first half of the 20th Century. They lent their name to a popular children's nursery rhyme which begins: "Pat-a-cake, pat-a-cake, baker's man, bake me a cake as fast as you can...".
  • It was during the making of this story that Frazer Hines made his stab at pop stardom, with the song Who's Doctor Who. He had met songwriters Barry Mason and Les Reed through his charity football playing. Their hit songs included Who Knows (Where My Rosemary Grows) for Edison Lighthouse, The Last Waltz for Engelbert Humperdink and Delilah for Tom Jones. 
  • Heathfield Street no longer exists, having been turned into car parking and garden spaces for the residents of Portland Road, W11, in the 1970's. The website theundergroundmap.com actually mentions the filming of The Invasion there. The same website claims that Walmer Road is the oldest street in the area, once a footpath known as Greene's Lane.
  • Jon Pertwee was a friend of Chris D'Oyly John's parents, and in an interview once said he dreaded the actor telling them about what went on during location shoots - as it was usually his hotel room which was used for parties. His first work on the series had been as an AFM on The Ark.

Thursday, 13 August 2026

TARDIS Log: The Daleks


Where and When:
Our first alien planet - Skaro. 
Even Ian and Barbara know that they are no longer on Earth after coming across the Magnedon - a creature the size of a Labrador dog, but with a shell comprising of metal plates and resembling a crocodilian. 
The TARDIS has landed in the middle of a forest, and when the Doctor and his companions emerge they are initially surrounded by a mist, which quickly clears. The trees and plants are unfamiliar, and it is Ian who spots that, despite a breeze, the branches do not stir. It transpires that they have been petrified - and the Doctor thinks not by heat. The soil is ashen.
Susan finds a brittle tulip-like flower, which has retained some colour. She wants to keep a specimen, but Barbara's discovery of the Magnedon causes Ian to crush it in his haste to come to her aid.
The creature is quite dead, however. The Doctor suspects that it had an inner magnetic field and may have used this to draw its prey towards it, if they were also metallic.
Beyond the forest lies a desolate plain, on which sits a large city composed of futuristic buildings.
And beyond that is a mountain.
This city is home to the Daleks - once humanoid but now mutated into small brain-like creatures with vestigial limbs. They inhabit metal casings, created as protective shells which enable them to move around. They can only do so on metal flooring - drawing power through this via static electricity.
They do not inhabit the surface buildings, confining themselves to subterranean levels.
It will be revealed that Skaro was the scene of a devastating nuclear war, involving neutron bombs. The atmosphere is heavily irradiated.
There is another race on Skaro - the Thals. Whilst the Daleks interfered with the evolutionary process by taking to their protective shells, the radiation has allowed the mutation of the Thals to come full circle, and they are now humanoid again - tall, blond and physically perfect. They have developed a drug to counter the radiation.
The war was fought between Thal and Dal - the original name of the Daleks, who were philosophers and teachers.
The Thals were a warrior people, but now live a simple agrarian lifestyle on a plateau many miles from the Dalek city.
They rely on a great rainfall for their crops, and this has failed. (When this disaster befell them is unclear, as the dialogue is contradictory).
They have embarked on an arduous trek under their leader Temmosus to seek help from their old enemies - even though they don't actually know if any have survived. (It is only through Susan that they learn that they have. Despite their life far from here, they must have known about the city and where it was to be located, so may have mounted the odd exploratory expedition to this region).
We only see adult Thals, but dialogue states that there are children present.
The Thals possess history records, which tell of the planet as well as its people. They know that Skaro is the seventh planet of its solar system.
Behind the mountain lies a great lake, which is home to a variety of mutated animals. One looks like an octopus whilst another generates a whirlpool effect before ensnaring its prey.
Surrounding the lake is more forest - though this doesn't appear to have been petrified (shielded by the mountain perhaps).
One of the creatures which inhabits this region resembles a giant caterpillar.
A cave system runs through the mountain from the lake, and the Daleks have used the tunnels to pipe water into the city to generate hydro-electric power.
The Doctor takes some soil samples and tells the Thals that it is not as barren as he first thought, and that life might return within a few generations.


The dating for this story is impossible when you consider only the seven broadcast episodes on their own. 
We can only attempt to work out when The Daleks might be set by looking at the evidence of later Dalek stories.
12 months from now, we'll learn that they are a space-going race by 2164. They are more advanced than the city-bound ones we see here - though they are still reliant on power being beamed to a collection dish on the back of their casings.
The Doctor states in The Dalek Invasion of Earth that these events on Skaro took place in the far distant future - suggesting that they will degenerate and retreat into their old city. This doesn't really fit with the Thal history or what we see here, however.
Everything seems to point to this being the early emergence of the Daleks following the war, encountering the Thals for the first time since that catastrophe.
The big problem is the fact that the Daleks appear to be killed off at the end of the story.
There are two ways around this.
The first is that there is at least one other Dalek colony elsewhere on the planet.
The second - made possible by The Power of the Daleks - is that they have simply been rendered dormant without power. The Daleks in the capsule found on the planet Vulcan are said to have been buried in a mercury swamp for several hundred years - and yet are resurrected when fed power.
For them to be invading Earth in the mid 22nd Century, and if it's the same Daleks, then this story is most likely set in Earth's past, perhaps the 18th or 19th Century.


The TARDIS:
The journey from prehistoric Earth to Skaro lasts only moments. The Doctor asks Susan to check the radiation meter, which is a fixture on the console. It shows normal but, seconds after everyone goes off to freshen up, it climbs quickly into the danger zone. A light flashes, but there is no audible alarm.
The travellers spend the night in the TARDIS before going off to explore the city in the morning - yet no-one spots this flashing light. They even stand around the console when the Doctor operates it, during his act of sabotage - but no-one notices anything.
The alarm must have switched itself off. If so, coupled with the delay in indicating danger, this suggests that the meter is faulty.
Unfortunately, the Doctor broke his handheld meter when he was abducted by Kal in the last story.

Ian suspects that the Doctor doesn't know how to pilot the TARDIS. When asked directly, he claims that if the correct data is known at the start of a journey then the course can be set - but they took off too quickly from the last location to gather this information.
Susan states further that there is a meter fixed to a big bank of computers which can guide the TARDIS, but only if that data is fed in - suggesting some form of 'auto-pilot' function, and the Doctor doesn't have to be at the controls the whole time.
But then she says that the Doctor's inability to navigate the ship is simply down to him being "forgetful".
The Doctor will later think that he might be able to work out their position from the Thal history records, which include a map of local space.


There is an area at the rear of the console room, partitioned off from the rest of the room, which contains a table and chair at which Susan sits to sketch the flower she had found. We see a double inner door leading off this area.
It is in this area that we find the Food Machine.
It is a tall box-like affair with a sloping control panel with buttons and lights at chest level.
The foodstuff requested is created by inputting a code, using clock-like dials, operated as you would the combination lock of a safe. The Doctor gets these codes from a notebook. You then press a central button, lights flash and it emits a noise to let you know when your item is ready. He explains that flavours are made up of component parts, likening it to composing colours from a combination of other ones.
Ian and Barbara select bacon and eggs, and a small item resembling a white Mars Bar - other chocolate bars are available - emerges on a little tray from a slot on the front of the machine, just beneath the control panel.
With one bite you taste the bacon, and another the eggs. Ian jokes his bacon is a little salty, and the Doctor counters that it shouldn't be as it is English.
Presumably he acquired the taste during his five months in London.


The Doctor is determined to explore the city, but Ian and Barbara refuse to let him do this - even alone, as only he knows how to operate the TARDIS (so they assume that Susan can't on her own).
When Susan agrees with the teachers that they leave the planet, the Doctor sabotages the ship.
He ducks down behind the console whilst the others are distracted looking up at the scanner and tampers with a component inside its base.
The power builds up as normal, but the ship fails to dematerialise. 
Susan suggests checking the Fault Locator. This is built into the wall behind a glass frontage, and has a small rectangular viewing port at eye level.
When Susan looks through this we see a device resembling a seismograph, with a rolling strip of paper and a number of inked needles.
From this she identifies the problem as component K7 - which the Doctor knows, without looking it up, to be the fluid link (because he just tampered with it).
This small object comprises four circular discs with a metal rod running through the centre.
It should be filled with mercury, but one end of the rod has come loose and the mercury has run out. 
The Doctor reveals that he doesn't have a supply of this substance on board. This particular fault has never happened before - or so he claims. He will later confirm that there is no mercury on board, having searched through all his spares. Nor does he carry any other fluid links, as the one taken by the Daleks has to be retrieved from the city.


Prisoners in the Dalek city, someone has to return to the TARDIS to fetch the anti-radiation drugs left by the Thal Alydon. Only Susan is fit enough to do this but Ian insists on going, using her key. She explains that the lock has a defence mechanism. Inside are a number of barrels, 21 of them. If the key isn't inserted properly, the entire lock melts.
Ian can't simply keep trying. (Now that he is travelling with people other than just his granddaughter, and they may be with him for some time, the Doctor obviously replaces this set-up at the first opportunity).
The Doctor later uses Susan's key to sabotage the Dalek surveillance system, stating that he can make her a new one easily enough.
(Whilst he can make another key, he can't make a new fluid link it seems. This might be because he lacks the tools or materials, or maybe it's the skill - another possible pointer to the TARDIS not being of his own invention).

The TARDIS has some medical supplies, such as a remedy for headaches, but the Doctor states that there is nothing which might counter radiation sickness. They would need to travel to another planet and hope that a cure might be available there.
The Doctor takes some soil samples away with him, whilst Barbara gains a roll of Thal cloth and Susan one of their cloaks, of the style worn by their females.
The story ends with the Doctor at the console, with the TARDIS power levels building steadily after it has dematerialised from Skaro. The lights suddenly flare, and the room is plunged into darkness as everyone is thrown to the floor.
A word about the console: it has six control panels, but you can't operate it from any one of these on its own. You have to move around the console to operate it effectively, which suggests that it wasn't designed for a single pilot. This does not mean that it requires a crew of six, however - you wouldn't need someone just to operate a single panel - but it may have required at least one other person (a pilot and a navigator or co-pilot perhaps?).


Behind The Scenes:
It was originally intended that Ridley Scott - yes, that one - would design this story. However, when it became known he could only do the pre-filming at Ealing but be unavailable for the studio recordings, Verity Lambert asked that another designer be used for the sake of consistency.
This was Raymond P Cusick. In the end, the sixth episode would be designed by Jeremy Davies.
As the series progresses, designers will pick and choose which parts of the TARDIS set they will use depending on the needs of the director, and what is in the script.
A considerable part of the opening episode takes place inside the TARDIS, so the full size console room set is employed, including the partitioned off area which is to the right of the Fault Locator wall. This is where the food machine prop is also to be found.
The hexagonal floor plate which surrounded the console in the last story is no longer present.
The scene bridging the second and third episodes sees Susan return to the ship to collect the Thal drugs. Here we only see the console and a couple of walls, one of which contains the main doors. Beyond these is part of the forest set.
(It will become a convention of the series that the TARDIS doors will be to the left of the screen, but in the early days it can be seen to the rear of the console or, very occasionally, screen right).
The drugs are resting on a chair with a tasselled covering, just inside the doors. 


At the end of the story we see a shot of the console room from a high vantage point, and it can be seen that only one corner of the set has been used, along with the console itself. The scanner now appears to be positioned above the main doors, judging by where the Doctor and Ian are looking. The console is much closer to the doors.
If you look closely, you can actually see the rear of one of these walls at the back of the Dalek control room set.
A simple lighting effect was used to simulate an explosion, and the overhead lights were then dimmed.

Tuesday, 11 August 2026

What's Wrong With... The Unquiet Dead


Might be a bit difficult one this. Charlie Brooker (Black Mirror) described it on broadcast as one of the most perfect 45 minutes of television he had ever seen.
However, it's the first historical story of the revived series, and a celebrity one to boot - so there has to be some factual issues with the story. Mark Gatiss is very much a fan of Victorian Gothic, and does do his homework, but in order to make a 45 minute drama you have to cut a few factual corners.
The obvious starting point is Charles Dickens in Cardiff on 24th December 1869 as part of one of his celebrated reading tours...

He embarked on one such tour in January 1869, but had to abandon it in April on health grounds. He had begun to include the dramatic murder of Nancy at the hands of Bill Sykes, from Oliver Twist, in his repertoire. This was controversial for two reasons - the shocking nature of the material for those of a nervous disposition (i.e. ladies), and the effect this was having on his health, as he would become both physically and emotionally drained by the experience.
He did not resume his tours until the beginning of 1870, and then he was accompanied by his personal physician and was so frail that the venues had to have special adaptations made to accommodate him.
He did not give a reading in Cardiff on the Christmas Eve of 1869.
The venue - the Taliesin Lodge - is fictitious as well.
Talking of Christmas, the holiday was popularised by Prince Albert and then by Dickens himself - yet there isn't a sign of it anywhere in the city.

Dickens claims that he will be home in time to spend Christmas with his family by catching the early mail coach to London. As the journey by coach in 1870 between Cardiff and London took between 25 - 30 hours, this is unlikely to say the least. He could have gone by train - but then he had a massive problem with these after having been involved in a famous train crash, at Staplehurst in 1865.
We do know a little about his final Christmas, because of the incident with the turkey...
He had been sent a 30lb prize bird, to be delivered by train from Ross-on-Wye. However, the freight carriage carrying it caught fire and his turkey was destroyed.
We see that Dickens has his own coach anyway, presumably hired to serve his needs whilst in the city if local, or perhaps even one which was arranged for his entire trip. But this disappears and is never mentioned again after it takes the writer and the Doctor to the funeral parlour.
The Doctor and Dickens emerge from the theatre only after Rose has been bundled into the hearse. It is glass-sided, but has heavy purple velvet drapes obscuring the interior - so how does the Doctor know his companion is inside it?

Gwyneth is telepathic - we see her read Rose's mind - yet she hasn't sensed any evil intent or duplicity from the Gelth even though she's been in contact with them since she was a child.
And they haven't seen that she might just act against them if she were to learn their true intentions.
Why do they reveal their true evil nature straight away, rather than continue their pretence of being helpless refugees until after they have properly established themselves? The moment they begin to come through, they go from nice blue entities to fiery red devils.
Their plan has other drawbacks. It would appear that they cannot always control the bodies they inhabit, as we know of one other corpse which went AWOL before Mrs Peace goes off to the theatre.
Their plan also seems to depend on someone who knows (a) that they are an alien race and (b) all about the Time War - someone who can convince Gwyneth to allow them to cross over. Bit of a coincidence, the apparent sole Time Lord survivor of the War turning up purely by accident, as the TARDIS was supposed to be going to Naples.
Why should Gwyneth's death stop their invasion - if she's already dead when it begins?
Why require a human conduit at all if the Rift is the thing that matters, and it runs through the whole city and not just Sneed's mortuary? It's strongest at a certain point, under the basement arch, but not exclusive to that spot.

Presumably it is important that they do get physical bodies, as there were an awful lot of other methane sources available in Victorian Britain, places like coal mines and sewers where their presence might not have attracted too much attention until they were safely established.
It's never mentioned, but do they have a means of suspending decomposition? Otherwise their new bodies won't last very long. Even if they go round making new ones by killing people, they'd soon run out.
Everyone acts as if the gas in this story is natural gas, as we have today. In 1869 it would have been town gas - a mix of hydrogen, carbon monoxide and carbon dioxide - which was highly toxic and would have incapacitated then killed everyone within seconds in the confined spaces we see here. The Doctor might have a respiratory bypass system, but Rose and Dickens don't.

Finally, a few minor issues. 
There's an anachronistic street light outside the theatre.
Dickens doesn't appear to leave any footprints in the snow - and no-one's breath shows on a winter's night.
Sneed mentions Mrs Peace as having had "a good innings". Deriving from cricket, this only entered common parlance in the 1900's.
(He also refers to the corpses as "stiffs", which sounds like it should be an anachronism but actually entered slang use in the mid 19th Century).
Dickens says "On with the motley" - a theatrical expression, but one which first appeared in the opera Pagliacci in 1892.
"What the dickens" has nothing to do with Charles. It's an old name for the Devil.
The funeral parlour is in Llandaff - it says so on the side of the hearse. That's more than 5 miles from Cardiff Bay where Torchwood claims the Rift to be centred.